My interview with Alain Resnais in New York in December 1980 yielded three separate articles, written for Soho News, American Film, and Omni. This is an unedited draft of the latter; I can’t recall now whether or not it was ever published in some form, but I think it probably wasn’t. The other two, which were published, are posted elsewhere on this site, here and here. -– J.R.
From the 42nd floor of Manhattan’s elegant Park Lane Hotel, where French director Alain Resnais has been holding court, Central Park in the winter looks remote and unfamiliar, like the terrain of another planet. It resembles Resnais’ unexpected smash hit Mon Oncle d’Amérique -– a unique, original blend of art and science –- by resisting precise description almost as confidently as it invites contemplation and wonder. And if the angle of vision that helps to account for this strangeness faintly suggests the vantage point of an amused yet saturnine deity, gazing down almost nostalgically, something of the same ambiance seems to inform the relation of the 58-year-old Resnais to his haunting comedy.
A master director who’s also a master of indirection -– always electing to tell a story in a different offbeat manner -– Resnais has never scripted any of his own features, But all of them are unmistakably personal reflections, generally about the past.… Read more »