Written in late November 2011 for a book on Ruiz published by the Spanish Cinematheque. A shorter version appears with the Blu-Ray of the theatrical version of Mysteries of Lisbon released in 2012 by Music Box Films. — J.R.
It was disconcerting to see a passage from a 1997 article of mine about Raúl Ruiz quoted in several of his mainstream obituaries: “Ruiz is the least neurotic of filmmakers; he doesn’t even seem to care whether what he’s doing is good or not.” Not because this was false when I wrote it but because it related to my earliest encounters with his work and its seeming challenges to film commerce, not to his better known big-budget efforts such as Marcel Proust’s Time Regained and Klimt.
This is why some of these latter films disappointed me, pointing towards what Ruiz himself frankly described to me in a 2002 interview as a “capitulation”. With money often comes anxiety about audiences and investors — and, even worse, not always being able to distinguish clearly between the two – and the cheerful freedom from this anxiety that characterized the extraordinary productivity of first two decades Ruiz spent as a Paris-based exile (roughly 1975 to 1997) seemed to be threatened by his escalation to higher budgets.… Read more »