The following, which I wrote circa March 2004, was commissioned for a Criterion box set; my thanks to Liz Helfgott, my editor there, for giving me the go-ahead to reprint this. — J.R.
Jean Renoir’s Trilogy of Spectacle
by Jonathan Rosenbaum
Movie trilogies can be created by either filmmakers or critics. When Pier Paolo Pasolini wrote and directed The Decameron (1971), The Canterbury Tales (1972), and Arabian Nights (1973), he made no bones about calling them his Trilogy of Life. But when Michelangelo Antonioni followed L’avventura (1960) with La notte (1961) and L’eclisse (1962), the intention was mainly apparent in the titles and a few echoes noted by critics, such as the presence of building sites at the beginning of the first and at the end of the third. As for the so-called Koker trilogy of Where is the Friend’s House? (1986), Life and Nothing More… (1992), and Through the Olive Trees (1994), Iranian writer-director Abbas Kiarostami explicitly refuses to yoke them together in this fashion—–which hasn’t prevented many critics and programmers from doing so.… Read more »