From the Chicago Reader (August 19, 1994). — J.R.
Directed and written by Atom Egoyan
With Arsinee Khanjian, Ashot Adamian, and Atom Egoyan.
In terms of craft, originality, and intelligence, there are few young filmmakers in the world today to match Atom Egoyan — a Canadian writer-director with a bee in his bonnet about video, photography, voyeurism, sexual obsession, troubled families, and personal identity (not necessarily in that order). But of his half-dozen features to date, the only one I’m comfortable calling a flat-out masterpiece is his fifth, Calendar — in some ways the least premeditated or worked over of the bunch. (Its successor, Exotica, which showed at Cannes in May 1993, will probably surface in New York later this year, which means it probably won’t get to Chicago before next summer.)
There are various ways of categorizing Egoyan’s six features, but perhaps the most useful involves distinguishing between the relatively low-budget ones, which happen to be my favorites – Next of Kin (1984), Family Viewing (1987), and Calendar (1993) — and the slicker, more expensive ones: Speaking Parts (1989), The Adjuster (1991), and Exotica (1994). Though all these movies have similar preoccupations and many have similar formal structures, a few distinctions between them are worth noting.… Read more »