From the Bard Observer (September 9, 1964). I ran the Friday night film series during most of my time at Bard College, and in many cases, I was booking these films in order to see them for the first time (although, as I recall, not in the cases of North by Northwest, Zazie, Jules and Jim, This Sporting Life, Freaks, or The Phenix City Story). –- J.R.
Sept. 12 KEY LARGO(See page 4 for a review.) [Note: this was a reprint of James Agee’s original review of this film in The Nation.]
Sept. 18 TROUBLE IN PARADISE. Continental comedy borne up out of the early thirties, directed by Ernst Lubitsch.
THE PASSION OFJOAN OF ARC. Mlle. Falconetti suffers in public and in silence. Directed by Carl Dreyer in 1928.
_________________________________________________________________________________________________ Sept. 25SAWDUST ANDTINSEL Also known as “The Naked Night”. The only Ingmar Bergman film Bard can afford (also one of the best). A circus setting; made in 1953.
Also: “Jammin’ the Blues,” 10 minutes of Lester Young, Harry Edison, Jo Jones and others.
Oct. 2FREAKS/THE PHENIX CITY STORY A double feature devoted to le film maudit: 2unconventional American “B” pictures—the first an unclassifiable and unsettling 60-minute story of sideshow life, the second a sensational “exposé” of corrupt Alabama politics, filmed on location.… Read more »
Two movie columns published in Summer ’64, a newspaper published by Columbia University and Teachers College in August 1964, while I was attending summer school there in Manhattan. I recall having seen Hitchcock’s Marnie and Renoir’s Boudu Saved From Drowning that same summer for the same publication, and reviewed at least the former, but apparently either this review never ran or my printed copy of it hasn’t survived -– more likely the former.
That Man from Rio is being released this spring in an attractive, restored 2-disc Blu-Ray package by the Cohen Film Collection, along with de Broca’s follow-up feature. Up to His Ears (Les Tribulations d’un Chinois en Chine, 1965). I’m still hoping for an eventual release of the long-unavailable Five Day Lover (1961), which I recall as my favorite de Broca feature….One thing that I now think I got wrong about That Man from Rio is cross-referencing it with North by Northwest, when a comparison of Belmondo with Douglas Fairbanks (whose work I hadn’t encountered at the time) would have been far more apt. The shots of him running in this film are even more beautiful in some ways than those in Breathless, and some of his acrobatics are stunning.… Read more »