From Film Comment (September-October 1975). Some of this article, especially the early stretches, embarrasses me now for its pretentiousness, but I think it still has some value as a period piece.
A few brief footnotes to my interview with Chaplin: (1) We shared a joint at one point while doing it; (2) her comments about working with Rivette made it seem a lot less fun and more difficult, at least for her, than working with Altman (she described it at one point as having to show Rivette various kinds of acting like a rug merchant to see which one he liked); and in fact (3) a few decades later, when I met her again at a film festival, reminded her of our interview, and asked her what she thought of Noroit, she told me that she’d never seen it. — J.R.
Or should I call this my NASHVILLE Journal? On March 19, I saw a monaural print in London at a private screening. Writing over three months later, shortly after its New York opening and a projected five before it’s supposed to surface in the rural West End, I can only wish it well on its way. Regular readers of this column may froth at the mouth if I drag Tati and Rivette into the case once more; in that case, froth away, folks — I’m sorry, but it’s Altman’s doing, not mine.… Read more »