Monthly Archives: January 1976

FOX AND HIS FRIENDS (1976 review)

From Monthly Film Bulletin, January 1976, Vol. 43, No. 504. — J.R.

Faustrecht der Freiheit (Fox)
West Germany, 1975
Director: Rainer Werner Fassbinder

Ce r t–X. dist–Cinegate. p.c–Tango-Film. p–Rainer Werner Fassbinder. p. manager–Christian Hohoff. asst. d–Irm Hermann. sc—Rainer Werner Fassbinder, Christian Hohoff. ph–Mictrael Ballhaus. col–Eastman Colour. ed–Thea Eymèsz. a.d–Kurt Raab. m–Peer Raben. songs–”One Night” by Pearl King, Dave Bartholomew, performed by Elvis Presley; “Bird on the Wire” by and performed by Leonard Cohen. l.p–Rainer Werner Fassbinder (“Fox” Franz Biberkopf), Peter Chatel (Eugen Theiss), Karl- Heinz Böhm (Max), Harry Bär (Philip), Adrian Hoven (Eugen’s Father), Ulla Jacobsen (Eugen’s Mother), Christiane Maybach (Hedwig), Peter Kern (Florist “Fatty” Schmidt), Hans Zandler (Man in Bar), Kurt Raab (Barman Springer),Irm Hermann (Mlle. Chérie de Paris), Barbara Valentin (Max’s Wife), Walter Sedlmayr (Car Dealer), Ingrid Caven (Singer in Bar), (El Hedi Ben Salem (Moroccan), Brigitte Mira (Shopkeeper),Bruce Low (Soldier), Ursula Strätz, Elma Karlowa, Evelyn Künneke, Marquart Bohm, Liselone Eder, Klaus Löwitsch.

11,077 ft.… Read more »

Edinburgh Encounters

From Sight and Sound, Winter 1975/1976; also reprinted in my first collection, Placing Movies: The Practice of Film Criticism. — J.R.

Edinburgh Encounters:

A Consumers/Producers Guide-in-Progress to Four Recent Avant-Garde Films

 

The role of a work of art is to plunge people into horror. If the artist has a role, it is to confront people — and himself first of all — with this horror, this feeling that one has when one learns about the death of someone one has loved.

 — Jacques Rivette interview, circa 1967

 

For interpersonal communication, [the modernist text] substitutes the idea of collective production; writer and reader are indifferently critics of the text and it is through their collaboration that meanings are collectively produced . . .

The text then becomes the location of thought, rather than the mind. The mind is the factory where thought is at work, rather than the transport system which conveys the finished product. Hence the danger of the myths of clarity and transparency and of the receptive mind; they present thought as prepackaged, available, given, from the point of view of the consumer . . .Within a modernist text, however, all work is work in progress, the circle is never closed.Read more »