From Monthly Film Bulletin, May 1976 (Vol. 43, No. 508). Many years later, I revised and expanded this for an essay commissioned by the Masters of Cinema DVD of Spione, called “Inside the Vault”. –- J.R.
Spione (The Spy)
Germany, 1928Director: Fritz Lang
An unidentified European country. After two treaties are stolen by a spy ring, and all the best agents of Burton Jason, head of the Sectet Service, have been killed while attempting to recover them, Jason summons detective Donald Tremaine, who arrives disguised as a tramp. The master-mind of the thefts, Haghi — an apparent cripple who runs a bank and has built a spy ring mainly out of criminals he has secretly sprung from prison — assigns Sonia to find out from Tremaine when a new treaty is to be signed. Rushing into Tremaine’s hotel suite after shooting a man whom she claims attacked her (and who survives thanks to a wallet in his breast pocket which stops the bullet), she gets Tremaine to hide her and quickly charms him. Charmed herself, she begs Haghi to take her off the case, but he forces her to write Tremaine a letter, which he dictates. Tremaine comes to her house and they make a date for dinner, but she is called away from the restaurant by Haghi.… Read more »
From Monthly Film Bulletin, May 1976 (Vol. 43, No. 508). — J.R.
Director: Tex Avery
Cert–U- dist–Ron Harris. p.c—MGM. p–Fred Quimby. story–Heck AIIen. col–Technicolor. anim–Ed Love, Ray Abrams, Preston Blair. m–Scott Bradley. 260 ft. 7 mins. (16 mm.).
Breaking out of the confines of Moron Manor and deliberately rousing Meathead the watchdog, Screwy Squirrel flees from him through a series of violent adventures Running past the cartoon’s end title, the antagonists return to discuss other possible endings until Meathead goes mad himself, bursts through the end title, and runs away; Screwy praises this ending for its silliness. A little less impired than Screwball Squirrel, its immediate predecessor, Happy-Go-Nutty nevertheless registers as a kind of ode to dementia, particularly of the gibbering and Napoleonic-complex variety. After beglnning with its hero in a loony bin (“Through these portals pass the screwiest squirrels in the world”), it proceeds spiritedly through some familiar gags (a bomb momentarily turning Meathead into a pickaninnv), some more inventive surreal ones (Meathead goes over a cliff. only to be handed a newspaper by Screwy when he lands, with the headline “SUCKER!!” over a photograph of Meathead going over a cliff), and odd throwaway details (a trashcan labeled “for extra squirrels”).… Read more »