From Monthly Film Bulletin, February 1977. — J.R.
Director: Michael Schultz
Chicago, 1964. Cochise, Preach, Pooter and another friend, students at Edwin G. Cooley Vocational High School, sneak out of class one Friday and visit the Lincoln Park Zoo; afterwards they play basketball, and Preach, who has been dating Sandra, flirts with the aloof Brenda. At home, Preach finds a letter informing him that he has received a scholarship; that night, he attends a party with his friends and re-encounters Brenda, who warms to him when she discovers his interest in poetry. After the party is broken up by a fight provoked by Damon, Preach and Cochise join Stone and Robert to go joyriding in a stolen car; Preach takes the wheel and drives recklessly, eluding the police after an extended chase. On Saturday, Preach and his friends study briefly for a history exam before going to the movies, fleeing the cinema after Pooter unwittingly provokes a fight. On Sunday, Preach takes Brenda home and they make love; after he casually lets drop that he bet Cochise money that he could sleep with her, she runs away and the next day at school kisses him in front of Sandra.… Read more »
From Monthly Film Bulletin, February 1977 (Vol. 44, No. 517). Over 30 years later, in my DVD column for Cinema Scope, I wrote, “Is it possible to find a picture acceptable only with its director’s commentary? Yes, if it’s Peter Bogdanovich’s clunky but interesting comedy about American moviemaking during the patent wars (1910-1915), prior to The Birth of a Nation, now that he’s finally had a chance to release it in black and white, as he originally intended, and recut it as well. Reviewing this when it came out…, I found its slapstick mainly irksome — not offensive, as it was to me in What’s Up, Doc?, where so many of the pratfalls, collisions, and smashups seemed to be about fatuous, narcissistic yuppies humiliating servants and carpenters, but pretty academic none the less…. It still looks academic, but hearing Bogdanovich explain where all the stories come from (mostly from Dwan, Ford, McCarey, and Walsh, with a curtain-closer from James Stewart) makes it somewhat more absorbing.” — J.R.
U.S.A./Great Britain, 1976
Director: Peter Bogdanovich
Chicago, July 30, 1910. Fleeing from a divorce court when he discovers that his client has an indefensible case, lawyer Leo Harrigan stumbles into H.… Read more »
From Monthly Film Bulletin, February 1977 (Vol. 44, No. 517). This is a movie I clearly went overboard about, even though I still might be inclined to defend it today, and I suspect now that I simply missed the boat by ignoring the screenwriter, Joel Schumacher — who, on the evidence of the subsequent D.C. Cab, surely qualified more as the auteur here than Michael Schultz. — J.R.
Director: Michael Schultz
Los Angeles. Lonnie arrives to open the gates of the Dee-Luxe Car Wash. Other workers turn up, including fancy dresser T.C. (“Fly”), who has a crush on Mona, a waitress at the restaurant across the street; Scruggs, who has just spent the night with another woman and is afraid to call his wife Charlene; Lindy, a flamboyant homosexual; and Hippo, Justin, Chuko and Goody. After Duane, an angry militant worker, arrives later, the white owner Mr. B drives up with his hippy son Irwin. A hooker escapes from a cab without paying her fare and hides in the ladies’ room. Irwin is ridiculed for hIs Maoist pretensions when he insists on joining the workers, and Calvin, a kid on a skateboard, turns up to pester everyone.… Read more »