From The most important and misappreciated American films since the beginning of the cinema, a coffee-table-size book of 150 pages published by the Royal Film Archive of Belgium in 1977. Two or three years earlier, when I was living and working in London, the great Jacques Ledoux (1921-1988) — whom I’d met back in 1968 when I first traveled to Brussels, to look at several of Murnau’s earliest films at his Cinematheque –- stopped by my office at Monthly Film Bulletin to ask me to participate in his eccentric but fascinating survey, which polled 203 participants around the world and then tabulated and cross-referenced the results in a number of ways.
By “misappreciated,” I’m sure that what was meant was “underrated”. I find that I still agree to a surprising degree with many of my judgments in the mid-70s –- including even my belief that Hollywood at the time was going through one of its more meager periods (even though Pauline Kael and many of her disciples seemed to think, and some of them apparently still think, that this was the richest period Hollywood has ever had in its entire history).
I made a point of mentioning Michael Snow at the end of my comments because I knew in advance that some European respondents would list him despite the fact that he is Canadian, not “American” (except in the “North American” sense).… Read more »