From the Soho News (August 20, 1981). — J.R.
Film India: Indian Film Festival Museum of Modern Art, through August 23
Buster Keaton Film Festival Lincoln Plaza, through September 19
Directed for Comedy Regency, through October 17
Honky Tonk Freeway Written by Edward Clinton
Directed by John Schlesinger, opens August 21
AUGUST 7: The first movie I see for this column isn’t a light comedy, but it sure puts me in a sunny mood. The prospect of a three-hour Indian film in Temil with no subtitles is a little off-putting, I would say -– wouldn’t you? On my way into the sparsely populated auditorium of the Museum of Modern Art this afternoon, I hear not one but two separate senior citizens crack jokes about what a nice opportunity this is for a nap.
And yet, just as Indian film buff Elliott Stein has predicted, I have surprisingly little trouble following the plot and action of Chandralakha (1948). The quaintly illusionistic charm of a black-and-white movie like this, about a good and bad brother vying for the throne in a mythical kingdom – with a large palace protected by a drawbridge –- is part of its primal pull from the beginning.… Read more »
Tracy Young, my editor at Soho News in 1980-81, accorded me an unusual amount of freedom and a minimum of editing (which often amounted to the same thing), but she didn’t allow me to publish this article, written in July 1981. She approved it in principle when I proposed it, then refused it after it was written — the first and only time this happened during my year and a half on this weekly paper, where I was working as both a film and book reviewer. Later on, she wound up ripping out (or, in capitalist terms, salvaging) the reviews of Zorro, the Gay Blade and Heart to Heart, and running them on August 4, 1981 with Seth Cagin’s review of Victory, under the title “Transcendental Cuisine,” without explanation.
At the suggestion of Straub and Huillet themselves, this article was later included in a 20-page tabloid-size publication that I edited about their work to accompany the first (and, I believe, to date, only) full U.S. retrospective of their work, which I curated, at the Public Theater in New York, from November 2-14, 1982, which also included ten programs consisting of films by others that they selected to run with their own work, ranging from Blind Husbands to Antonio das Mortes to A King in New York to Civil War (the John Ford episode in How the West Was Won, shown with A Corner in Wheat and Land without Bread), and including several appearances by and discussions with Straub and Huillet.… Read more »