The following was one of a dozen or more profusely illustrated pieces that I wrote for a London periodical in 1982 called The Movie, specifically for issue no. 117; some of these articles were later recycled into a series of coffee-table books devoted to various decades in film history, but not this one, which I’ve slightly revised for its reappearance here.
Even though this short piece is somewhat dated now, I’m reviving it to celebrate Criterion’s awesome edition of Lonesome on DVD (in the best print of the film I’ve ever seen, with a superb audio commentary by Richard Koszarski), along with Fejos’s subsequent The Last Performance and Broadway on a separate disc. For me, this is unquestionably one of Criterion’s most impressive releases to date. (September 2 postscript/update: Having so far seen only the DVD, I wasn’t aware that a Criterion Blu-Ray also exists until Dave Kehr reviewed it in the New York Times….I wish I had that, too!) – J.R.
In a large, lonely city, the daily routines of two ordinary people who do not know one another are shown in parallel development. First Mary and then Jim wakes up, dresses and has breakfast (at the same restaurant).… Read more »
This commissioned essay was for a touring retrospective catalogue, The American New Wave, 1958-1967, published by the Walker Art Center and Media Center/Buffalo in 1982 (and slightly tweaked just now, in June 2010). It’s dated by my erroneous assumption, shared by most critics during this period, that the dialogue of Shadows was improvised, corrected years later by the research of Ray Carney — although I still stand fully behind my opening paragraph. I was also mistaken in my assumption that Charles Mingus was entirely responsible for the film’s score, especially in the second version. (Ross Lipman has written brilliantly and in detail on this subject in an essay that can be accessed here.)
My writing of this article was both interrupted and ultimately informed by the the shock of the suicide of my older brother David. Regarding the details about lapsed Catholicism apropos of The Savage Eye, I can still recall a phone conversation I had at the time with the late Veronica Geng, a former colleague at Soho News (and lapsed Catholic) and a writer and editor at The New Yorker whom I plumbed for information and advice. Perhaps I went a little overboard in my expressions of scorn for the purple prose in The Savage Eye’s commentary; today I find it rather fascinating for its kinship with Beat writing from the same period, for better and for worse. … Read more »