Monthly Archives: October 1982

Vive la différence! A Guide to French Films on Cassette

The article from the October 1982 issue of American Film is so quaintly and absurdly dated now that I can’t resist reproducing it. -– J.R.

The prospect of choosing ten French movies that I’d like to own on videocassette is pretty hard to resist –- even for someone who still doesn’t own a cassette recorder. And when I consider the losses that any great film is bound to suffer on a home screen, I find myself consoled by the opinion of Jean-Luc Godard, expressed, twenty years ago:

”Even with films like Lola Montès and Alexander Nevsky, something comes through on television, despite the distortion, the rounded screen, the lack of definition, the absence of color. . .With Lola Montès, what you lost visually you often gained by having your attention focused on the dialogue. If only part of the film survives. It will be enough to bring it across.”

Admittedly, Godard was speaking here about old-fashioned network transmission — and French television at that, which offered a higher visual definition, and no time-slotting cuts or commercial breaks. Still, the overall thrust of his point, is true. Reproducing a classic film on cassette may do something drastic to its original purpose and format, but something essential remains.… Read more »

Cinemeteorology [Serge Daney on TOO EARLY, TOO LATE]

Here’s a piece by Serge Daney that I translated back in 1982, for a catalogue accompanying a Straub-Huillet retrospective that I curated in New York that fall. Danièle Huillet sent me the original review in French, suggesting that it be included. Too Early, Too Late, shot in 16mm, remains, for me, one of their two most beautiful landscape films, along with the much later Operai, Contadini (Workers, Peasants, 2001), making it all the more regrettable that neither of these favorites is available on DVD, even in France; I’m also very sorry that the frame reproductions included here couldn’t be any better. — J.R.

What do John Travolta and Jean-Marie Straub have in common? A difficult question, I admit. One dances, the other doesn’t. One is a Marxist, the other isn’t. One is very well-known, the other less so. Both have their fans. Me, for instance.

However, one merely has to see their two films surface on the same day on Parisian screens in order to understand that the same worry eats away at both of them. Worry? Let’s say passion, rather — a passion for sound. I’m referring to BLOW OUT (directed by Brian DePalma) and TOO EARLY, TOO LATE (co-signed by    Danièle Huillet), two good films, two magnificent soundtracks.… Read more »