I’m pretty sure that my very first contributions to the Chicago Reader were these two capsule reviews, commissioned by Dave Kehr for their November 5, 1982 issue when these films were playing at the Chicago International Film Festival. — J.R.
The Night of the Shooting Stars.
The seventh feature written and directed by the talented Taviani brothers – Vittorio and Paolo, born respectively in 1929 and 1931 in San Miniato, Italy – and the third to open in America, The Night of the Shooting Stars is an Italian memory film that belongs to the same respectable company as Bertolucci’s The Spider’s Strategm, Fellini’s Amarcord, and Scola’s We All Loved Each Other So Much. The Tuscan town of San Martino during the last days of the war in 1944, as recounted by a woman who was six at the time to her daughter, provides the framework for this passionate and volatile fresco-in-motion, which radiates with unexpected and even startling moments of bucolic poetry. The actual war sequences contain some of the shocking beauty and giddy surprises one associates with the great Soviet directors, Dovzhenko in particular.… Read more »