Another chapter from Film: The Front Line 1983. I can happily record that a good many of Breer’s films are available online, especially on YouTube. So even though he died last August and he remains flagrantly under-represented on DVD (although an excellent collection of 11 of his shorts, Recreation, was released some time ago on VHS, by Re:Voir in Paris), his art remains visible in some form, and Anthology Film Archives has prints of all or most of his works in 35mm. But I’m sorry I haven’t been able to find any online illustrations for my discussion of his film 77. — J.R.
All the major recent films of Robert Breer, an American who spent a crucial decade in Paris (1959-1969), are available in this country. But considering the fact that they’re independent animation, and that Breer is a one-man industry and not a Hollywood studio, they might as well be on the moon. They clearly inhabit a ghetto even more confining than that of the “foreign film,” because most critics lack an apparatus for dealing with them; hence, they find it easier to pretend that these works don’t exist. As uncontroversial as it might appear to be in most contexts, it is probably not irrelevant to note that when one of Breer’s most recent films, the characteristically brilliant Swiss Army Knife with Rats and Pigeons (1980) was screened at a New York Film Festival press show in 1982, it was rudely and audibly (if inexplicably) hissed. … Read more »