The four films to date of independent Chicago filmmaker Peter Thompson form two diptychs: not films to be shown simultaneously side-by-side, but successive works whose meanings partially arise out of their intricate inner rhymes and interactions. Two Portraits (1982), which has already had limited exposure in Chicago, describes the filmmaker’s parents: Anything Else, devoted to Thompson’s late father, combines stop-frame images of him, in an airport and outdoors, with a painful recording of his voice taken in a hospital and a multifaceted verbal portrait delivered by his son; Shooting Scripts juxtaposes the filmmaker’s mother, Betty Thompson, reading from her own diaries with a minimalist view of her sleeping on a beach chair, alternating stop-frames with privileged moments of movement. Together these films create a rich tapestry, but the more recent hour-long pair, Universal Hotel and Universal Citizen (1987), receiving their premiere here, create a still more ambitious and dense interweaving of objective and subjective elements. As Thompson puts it, this diptych deals with three main themes: “the emotional thawing of men by women, the struggle to disengage remembrance from historical anonymity, and nonrecoverable loss.” In the first film, Thompson describes his involved research about medical experiments in deep cold conducted on a Polish prisoner and a German prostitute by Dr.… Read more »
Daily Archives: November 20, 1987
Before he was blacklisted in 1951, director Martin Ritt received much of his training in live television, and the virtues as well as limitations of 50s TV drama at its best are still reflected in his movies. This all-star courtroom drama, adapted by Tom Topor, Darryl Ponicsan, and Alvin Sargent from Topor’s play, centers on a hearing held to determine whether high-class hooker Claudia Draper (Barbra Streisand), arrested on a manslaughter charge, is insane or not. Richard Dreyfuss is her appointed lawyer, Robert Webber is the prosecutor, and James Whitmore is the judge; Eli Wallach plays her appointed psychiatrist, and Maureen Stapleton and Karl Malden portray her grief-stricken parents. While the movie holds one’s attention throughout, and its liberal message is compelling, we are clued into certain facts about the heroine so early on that the audience is never really tested along with the characters. What might have been a sharper existential confrontation of our received ideas about sanity merely comes across as an effective courtroom drama, with strategically placed revelations and climaxes. Streisand produced, developed the script, and composed most of the music for this showpiece, and her efforts, as usual, pay off, above all in her angry and lively performance.… Read more »
From the Chicago Reader (November 20, 1987). — J.R.
CROSS MY HEART
*** (A must-see)
Directed by Armyan Bernstein
Written by Armyan Bernstein and Gail Parent
With Martin Short, Annette O’Toole, Paul Reiser, and Joanna Kerns.
Like a 3-D movie, in which the illusion of depth is utterly dependent on the spectator’s rigidly foursquare frontal viewing position, Armyan Bernstein’s Cross My Heart is flat and fuzzy around the edges; tilt your head slightly, and the roundness of the characters vanishes immediately. But because the characters holding the center of the screen are nearly always Martin Short and Annette O’Toole — consummate pros commanding and regulating the space between and around them like two generals at a summit conference — there’s rarely any reason to look aside; our attention is riveted.
For all their charisma, one wouldn’t have thought O’Toole or Short capable of such mastery on the basis of their separate and earlier outings. Despite his frequent brilliance on SCTV and Saturday Night Live, mainly as a parodist of narcissistic TV and movie personalities ranging from Dick Cavett to Jerry Lewis (by way of Katharine Hepburn), Short was both literally and figuratively dwarfed by Steve Martin and Chevy Chase in Three Amigos, although admittedly all three amigos were mainly stranded by the anemic comic material.… Read more »