From the July 29, 1988 Chicago Reader. — J.R.
MONKEY SHINES: AN EXPERIMENT IN FEAR
*** (A must-see)
Directed and written by George A. Romero
With Jason Beghe, John Pankow, Kate McNeil, Joyce Van Patten, Christine Forrest, Stephen Root, Stanley Tucci, and Janine Turner.
You’ve got to get through a few layers of foam rubber before you reach what’s good (or better than good) about George Romero’s new feature. There’s a series of obstacles — cultural, corporate, ideological, stylistic, aesthetic, commercial — standing in the way of what the movie is doing at its best; they may not count for much in the long run, but it’s better to be forewarned and forearmed.
First there’s the problem of the title. I appreciate that the producers did not want to suggest that the movie is a comedy — as sticking to the title of Michael Stewart’s source novel, Monkey Shines, would have done. So a subtitle is understandable as a means of labeling the contents. But An Experiment in Fear? Whose experiment and whose fear? The phrase describes nothing in the film (except for a brief undeveloped scene with a rodent and a beady-eyed behaviorist) and nothing you can say about the film (except as an easy platitude).… Read more »
Souleymane Cisse’s extraordinarily beautiful and mesmerizing fantasy is set in the ancient Bambara culture of Mali (formerly French Sudan) long before it was invaded by Morocco in the 16th century. A young man (Issiaka Kane) sets out to discover the mysteries of nature (or komo, the science of the gods), but his jealous and spiteful father prevents him from deciphering the elements of the Bambara sacred rites and tries to kill him. In the course of a heroic and magical journey, the hero masters the Bambara initiation rites, takes over the throne, and ultimately confronts the magic of his father. Apart from creating a dense and exciting universe that should make George Lucas green with envy, Cisse has shot breathtaking images in Fujicolor and has accompanied his story with a hypnotic, percussive score. Conceivably the greatest African film ever made, this wondrous work provides an ideal introduction to a filmmaker who, next to Ousmane Sembene, is probably Africa’s greatest director. Not to be missed (1987). Winner of the jury prize at the 1987 Cannes Festival. (Film Center, Art Institute, Columbus Drive at Jackson, Friday and Sunday, July 29 and 31, 6:00, 443-3737)… Read more »
Charles Crichton, the septuagenarian British director who made his biggest mark with The Lavender Hill Mob in 1951, teams up with actor, cowriter, and executive producer John Cleese to make a madcap caper comedy about another large-scale robbery that is every bit as funny as its predecessor. Like many of the best English comedies, much of the humor here is based on character, good-natured high spirits, and fairly uninhibited vulgarity (a speech impediment and dead dogs supply the basis for some of the gags). The superlative cast includes Americans Kevin Kline and Jamie Lee Curtis, the latter at her sexiest, as well as Michael Palin and Cleese; and Crichton keeps the laughs coming with infectious energy. (Commons, Water Tower, Harlem-Cermak, Yorktown, Hillside Square, Webster Place, Norridge, Old Orchard, Deerbrook)… Read more »