Daily Archives: July 1, 1989

It Came From Outer Space

Directed by Jack Arnold and scripted by Ray Bradbury (though his hand isn’t readily apparent), this scary black-and-white SF effort from 1953 was shot in 3-D, and on occasion it’s shown that way. Richard Carlson and Barbara Rush star, and there’s a chilling cameo by an oversize extraterrestrial eye. 81 min. (JR)… Read more »

Slaughterhouse-five

George Roy Hill’s very professional, very entertaining 1972 adaptation of Kurt Vonnegut’s time-traveling novel, with the pseudoprofundities nicely tucked into place as peppy one-liners and narrative tricks. With Michael Sacks and Valerie Perrine. R, 104 min. (JR)… Read more »

Scenes From The Class Struggle In Beverly Hills

Two male servants (Robert Beltran and Ray Sharkey) at adjoining Beverly Hills households make a bet to see who can seduce the other’s female employer first; the ladies involved are Jacqueline Bisset and Mary Woronov, and friends and relatives in the two households include Wallace Shawn, Ed Begley Jr., Arnetia Walker, and directors Paul Bartel and Paul Mazursky (the latter as a ghost). Despite a partially amusing script by Bruce Wagner (from a story by Bartel and Wagner) and some nice moments from the cast (particularly Bisset and Walker), this campy, irreverent 1989 farce is essentially defeated by Bartel’s awkward and unnuanced direction, which manages to crush most of the gags underfoot before they can blossom. On the other hand, viewers who weren’t troubled by this problem in Eating Raoul may be amused. R, 102 min. (JR)… Read more »

Nude Restaurant

Viva, Taylor Mead, Alan Midgette, Ingrid Superstar, and other Warhol regulars talk a lot as they circulate in G-strings, as either waiters or customers, in a New York restaurant. This 1967 feature is one of the more enjoyable of Warhol’s voyeuristic gabfests, punctuated, or fractured, by strobe cuts in which the camera is shut off for reasons that are sometimes arbitrary. 100 min. (JR)… Read more »

A Night In Havana: Dizzy Gillespie In Cuba

For viewers (and listeners) who feel that the great Dizzy Gillespie didn’t receive his due in Bird, this conventionally made but charismatic and enjoyable documentary by John Holland (1998, 85 min.) about the jazz trumpeter’s concert in Cuba, occasioned by the fifth International Jazz Festival of Havana, goes a long way toward making up the difference. Gillespie’s personality and music shine in this setting, and his contributions to Afro-Cuban music — including his association with Cuban drummer Chano Pozo and many of his best tunes in the 40s — are acknowledged in this congenial context. Fidel Castro makes a cameo. (JR)… Read more »

New York Stories

A trio of short films, all set in New York, by Martin Scorsese, Francis Ford Coppola, and Woody Allen, who launched this 1989 feature. Whether it happened by chance or design, the sketches have more than just New York in common: all three have something to do with middle age, as well as with romantic relationships. Scorsese’s sectionrelatively weak in plot, but very strong in style and characterstars Nick Nolte and Rosanna Arquette, both at their best, as a painter and his disaffected mistress and apprentice; Richard Price wrote the script. Coppola’s epsiode, scripted by Coppola and daughter Sofia (then 17), stars Heather McComb as the precocious daughter of a well-to-do flute player (Giancarlo Giannini) who tries to reunite him with her mother (Talia Shire). The most experimental of the three segments but also the most arch, the film contrives, though set in the present, to give us a fairy-tale Manhattan out of the 40s and the world of Noel Coward populated mainly by children. Allen’s episode, which he wrote and stars in, is a welcome throwback to the purely comic, pre-art-house Woody, following the psychoanalytical history of a lawyer (Allen) menaced by his aggressive mother (Mae Questel); Mia Farrow and Julie Kavner also star.… Read more »

The Haunting

From the Chicago Reader (July 1, 1989). This film is now available on a Blu-Ray from Warners, with an excellent audio commentary by Robert Wise, all four of the lead actors, and screenwriter Nelson Gidding. And for the record, a recent look confirms that it isn’t at all “stiff in the joints”; Jack Clayton’s The Innocents may be more accomplished, but this is still a rousing, intelligent, and provocative horror film.– J.R.

TheHaunting

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Robert Wise’s 1963 black-and-white ‘Scope translation of Shirley Jackson’s The Haunting of Hill House was pretty effective when it came out; it may be a little stiff in the joints by now, but it’s still a much better scare show than the stinker remake, and clearly aided by Wise’s skill as an editor. With Richard Johnson, Claire Bloom, Russ Tamblyn, and Julie Harris. 112 min. (JR)

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Harry And Tonto

Art Carney stars as Harry, a septuagenarian sitcom version of Lear who sets out on a cross-country journey with his aging cat Tonto, in this sentimental and reflective comedy of Paul Mazursky. Carney won an Oscar for his work here, and the secondary castincluding Ellen Burstyn, Larry Hagman, Geraldine Fitzgerald, Josh Mostel, and Arthur Hunnicuttis unusually fine, but you may find much of this, despite the apparent sincerity, too cutesy and self-satisfied for its own good (1974). (JR)… Read more »

Hanussen

Writer-director Istvan Szabo and actor Klaus-Maria Brandauer, who previously joined forces on Mephisto and Colonel Redl, reunite in a muddled allegory about an Austrian sergeant in World War I who becomes a magically endowed clairvoyant and hypnotist in Austria and Germany during the rise of Nazism. As in Mephisto, Szabo’s handling of period detail is often sloppy (some scat singing heard at a decadent party is a good two decades ahead of its time) or silly (there’s a rather unconvincing character based on Leni Riefenstahl named Henni Stahl), and the dubbing of some of the secondary roles is clumsy. But Brandauer’s command as a performer and the movie’s incidental glimpses of European high life in the late teens and 20swhich apparently had something to do with this film getting an Oscar nominationmake it intermittently watchable. Erland Josephson, Walter Schmidinger, and Grazyna Szapolowska also star; it was cowritten by Peter Dobai. (JR)… Read more »

When Harry Met Sally . . .

Fans of Billy Crystal’s amphibian qualities may be amused, but the rest of us have to contend with a slavish Woody Allen imitation in this New York comedy scripted by Nora Ephron and directed by Rob Reiner (1989). Everything from the background music to the jogging dialogue strains to create the atmosphere of an Annie Hall or a Manhattan, with Meg Ryan in the Diane Keaton part, Carrie Fisher and Bruno Kirby as the best friends/other couple, and half a dozen elderly New York couples periodically discoursing cutely about how they met. The title couple meet on a drive from the University of Chicago to Manhattan in 1977, and the movie charts their gradual and grudging bonding up to the present. Very slickly and glibly put together, with a sharp eye for yuppie decor and accoutrements; even Woody’s habitual, fanciful vision of an all-white New York is respected. 95 min. (JR)… Read more »

Uhf

Music video parodist Weird Al Yankovic stars in this satirical 1989 farce about a bumpkin who takes over a run-down TV station; after he enlists a retarded janitor (Michael Richards) to take over the kiddie show, the station’s ratings soar, but the owner of a competing station (Kevin McCarthy) tries to put him out of business. Gamely running through parodies of TV commercials and shows, not to mention Spielberg, Schwarzenegger, Stallone, Selznick, and Gandhi, this is awful by any standardfeeble, corny, and labored in script as well as directionalthough the Capracorn of the basic premise occasionally manages to convey a certain sweetness. Jay Levey directed; with Victoria Jackson, David Bowe, and Stanley Brock. PG-13, 97 min. (JR)… Read more »

The Ugly American

Marlon Brando stars in one of his more likable (if minor) mid-career performances as an American ambassador to a mythical Asian country called Sarkhan, which resembles Thailand, in a very loose adaptation by Stewart Stern of William J. Lederer and Eugene Burdick’s novel. An earnest if muted and halfhearted attempt to say something about U.S. foreign policy in Asia, directed only adequately by George Englund. Kukrit Pramoj, who plays the premier of Sarkhan and served as the film’s technical consultant, later went on to become Thailand’s real-life premier. With Eiji Okada, Pat Hingle, Sandra Church, and Jocelyn Brando (1963). (JR)… Read more »

Turner & Hooch

Tom Hanks is a compulsively fastidious detective who winds up with a large, ugly, drooling, and destructive dog that happens to be the only eyewitness to a murder. Needless to say, it proves to be a match made in heaven, and dog slobber enthusiasts (as well as fans of dog farts) will have a field day. Everyone else will have to settle for a formulaic cop comedy that has Hanks but little else. Roger Spottiswoode directed from a screenplay by many hands (Dennis Shryack, Michael Blodgett, Daniel Petrie Jr., Jim Cash, and Jack Epps Jr.), and Mare Winningham and Craig T. Nelson costar. (JR)… Read more »

A Question Of Silence

Marleen Gorris’s controversial Dutch radical-feminist film from 1981 describes what happens when three otherwise unconnected women spontaneously conspire to murder the male owner of a boutique. The overall polemical thrust of this story may be as didactic as an Ayn Rand narrative, but it contains a number of provocative ideas and challenging insights, and Gorris’s handling of the material is compelling and assured. In Dutch with subtitles. 92 min. (JR)… Read more »

Parenthood

This movie has its share of laughs, but it’s also Ron Howard’s most personal film, and clearly his most ambitiousa multifaceted essay in fictional form about the diverse snares of child rearing. The movie tries for so many things in so many different registersthere are a number of fantasy interludes and raunchy gags along with an overflowing cast of characters (including Steve Martin, Tom Hulce, Rick Moranis, Martha Plimpton, Keanu Reeves, Jason Robards, Mary Steenburgen, and Dianne Wiest)that the results are often unwieldy, but they’re certainly heartfelt: Howard’s grown-up sentimentality is the perfect antidote to the infantilism of Spielberg and Lucas and their disciples. The film never shies away from real problems, and the complex mix of comedy and seriousness in its treatment of the pitfalls of parenthood steadily grows in feeling and power. The movie may wind up being as messy as it argues that family life is, but it commands admiration and respect. The screenplay is by Lowell Ganz and Babaloo Mandel, based on a story that they wrote with Howard (1989). (JR)… Read more »