Daily Archives: July 15, 1994

Villain the Blank [BLOWN AWAY]

From the Chicago Reader (July 15, 1994). — J.R.

Blow_Away_1994_Film_Poster

* BLOWN AWAY

(Has redeeming facet)

Directed by Stephen Hopkins

Written by Joe Batteer, John Rice, and M. Jay Roach

With Jeff Bridges, Tommy Lee Jones, Lloyd Bridges, Forest Whitaker, Suzy Amis, John Finn, and Stephi Lineburg.

In the Roy Rogers westerns I saw as a kid, I could always figure out in a flash who the villain was. If memory serves, Roy Rogers always played a cowboy named Roy Rogers, whom the good characters invariably called Roy and the bad guy referred to as Rogers. This sometimes made it possible to know who the bad guy was even before Roy figured it out himself.

There’s a popular kind of suspense movie that’s been with us at least since Dirty Harry in which the villain is often just as easy to detect: he or she is someone who has it in for the hero and wants to hurt him very, very badly, most often by hurting or killing whomever the hero is supposed to protect: his daughter’s pet rabbit (Fatal Attraction), his wife, his mistress, and his daughter (Cape Fear), the citizens of Gotham City (the Batman movies), the president of the United States (In the Line of Fire), the passengers in a local bus (Speed), a coworker and a pet dog and a wife and a daughter (Blown Away).… Read more »

A Tale of Winter

From the Chicago Reader (July 15, 1994). — J.R.

The second installment (1992) in Eric Rohmer’s “Tales of the Four Seasons” centers on a young Parisian woman, aptly called Felicie, who fluctuates between two suitors — a pensive local librarian and the owner of a chain of beauty salons who’s moving to Nevers and wants her and her young daughter to come live with him. But in the back of her mind she’s holding out for the return of a former lover, the father of her daughter, whom she lost track of after they spent a summer holiday together; she accidentally gave him the wrong address when he moved away and she never heard from him again. The conception may be a little too rigorously Catholic for some tastes (including mine), but Rohmer has become such a master of his chosen classic genre — the crystalline philosophical tale of character and romantic choice — that this is a nearly perfect work, in performance as well as execution, with an apposite if ambiguous extended reference to Shakespeare’s A Winter’s Tale in the penultimate act. With Charlotte Very, Frederic Van Dren Driessche, Michel Voletti, and Herve Furic. Music Box, Friday through Thursday, July 15 through 21.… Read more »