With this epic account of a Chinese family from the 1940s to the ’70s, Zhang Yimou seems to have abandoned the high aestheticism of his Red Sorghum, Ju Dou, and Raise the Red Lantern for a more popular and didactic kind of filmmaking (The Story of Qiu Ju can now be seen as a transitional work). To Live is masterful in its own right, and filled with so many barbs at the Cultural Revolution and its immediate aftermath that Zhang has been forbidden to make any films in China with foreign financing for two years (though the stated charge against him is illegal distribution of this film). Adapted by Yu Hua and Lu Wei from Yu’s novel Lifetimes, the film focuses on a wealthy gambling addict (comic actor Ge You) with a pregnant wife (Gong Li) and young daughter who loses his family’s fortune and becomes a shadow puppeteer shortly before civil war erupts; ironically, it’s his recklessness as a gambler that eventually saves him from execution, the first of many sociopolitical paradoxes the movie has to offer. Some of the story’s details recall Farewell My Concubine and The Blue Kite, but Zhang has his own story to tell and his own points to make. His film grows progressively in meaning and resonance as it develops. Highly recommended. Fine Arts.