Daily Archives: April 10, 2003

Global Discoveries on DVD (my 1st column, 2003)

From Cinema Scope #14 (Spring 2003). It’s interesting to note that many of the releases that I discuss here are still available, if not always readily available. All of my recent columns, by the way, starting with issue #40, can be found on Cinema Scope‘s web site. — J.R.

A FEW PRELIMINARIES. The word is still getting out about the riches that are currently available to cinéphiles owning DVD players that play discs from all the territories —- players that are by now readily available at affordable prices to anyone with enough initiative to go looking on the Internet. But it might be added that the number of previously scarce films that can now be purchased in North American Territory is already quite substantial.

Combine these two opportunities and you have the pretext for a new column, which will be devoted not to DVD players (that’s your problem) but to DVDs that are currently available. This will follow the capitalistically incorrect premise that once you move beyond your own designated territory, the world becomes your oyster and a different sort of place from the one that assumes that you’re necessarily trapped as a consumer by the choices offered within your own national borders.Read more »

A Fuller Understanding: Revisiting the Life of Sam Fuller

From Cinema Scope (Spring 2003). — J.R.

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A Third Face: My Tale of Writing, Fighting, and Filmmaking by Samuel Fuller. New York: Alfred A. Knopf, 2002.

Thank God for Beethoven’s music. Ludwig got me though a lot of rough times. He said, “Music is a higher revelation than all wisdom and philosophy.” Holy cow, was he right! — photo caption in A Third Face

Checking my appointment book for 1980, I see that I met Sam Fuller for the first time on June 19, in New York. It was in a suite at the Plaza, where I went to interview him about The Big Red One for the Soho News, and from the moment a publicist opened the door and I was greeted by this short, peppy firecracker, he was already outlining a movie sequence in which I was being kidnapped by a team of Amazons, with the publicist instantly cast as one of the members of the team.

The interview itself was a collection of comparable verbal cadenzas, about life and commerce as well   cinema — with occasional off-the-record asides, like asking me at one point if I’d seen Jean-Luc Godard’s Made in USA, and what I thought of it.… Read more »