This innovative 2002 feature by Hany Abu-Assad (Rana’s Wedding), a unique mix of documentary and fiction, follows a minibus driver transporting diverse cargoes of passengers in Ramallah and Jerusalem. Sometimes the film interviews Palestinian and Israeli artist/intellectual passengers about the ongoing conflicts and sometimes it constructs mininarratives about the bus’s progress and adventures between various checkpoints. Almost everything we hear sounds intelligent and reasonable, and the presentation, which resembles at times a variety show, keeps the proceedings absorbing and unpredictable throughout. In Arabic and Hebrew with subtitles. 80 min. (JR)… Read more »
Monthly Archives: May 2004
From the Chicago Reader (May 7, 2004). — J.R.
*** (A must-see)
Directed by Hany Abu-Assad
Written by Abu-Assad and Bero Beyer.
Super Size Me
* (Has redeeming facet)
Directed and written by Morgan Spurlock.
What do we expect from documentaries? Do we seek to be informed by them or merely entertained? If it’s the former, do we expect some guidance about how to process the information?
The documentaries I’ve seen lately have made me ponder these questions. For example, last week at the Buenos Aires Festival of Independent Film I saw a fascinating Palestinian feature called Ford Transit (showing twice this week at Facets Cinematheque) that freely mixes fiction and nonfiction as if they were alternate routes to the same goal. I also attended the world premiere of a more conventional documentary, The Take, which was made for Canadian TV and may never screen here. Finally, there’s Super Size Me (which opens at the Landmark this week), a film that has been getting considerable attention since it premiered at the Sundance festival last January.
Let’s start with The Take, which was directed by Avi Lewis and written by Naomi Klein, who’s a columnist for the Nation and the Guardian and author of the international best seller No Logo, a journalistic account of the worldwide antiglobalization movement.… Read more »