From Moving Image Source (www.movingimagesource.us), posted September 22, 2009. Also reprinted in my collection Goodbye Cinema, Hello Cinephilia. — J.R.
Following James Agee: Film Writing and Selected Journalism (2005), and American Movie Critics (2006), Farber on Film: The Complete Film Writings of Manny Farber is the Library of America’s third and so far most ambitious effort to canonize American film criticism — a daunting task that’s been lined at every stage with booby traps, at least if one considers the degree to which film criticism might be regarded as one of the most ephemeral of literary genres. And this is certainly the volume that adds the most to what has previously been available; by rough estimate, it easily triples the amount of film criticism by Manny Farber that we have between book covers.
As Karl Marx once pointed out, quantity changes quality, but this doesn’t entail any lessening of Farber’s importance. I would even argue that both the nature and evolution of his taste and writing over 30-odd years, before he gave up criticism to concentrate on his painting, still make him the most remarkable figure American film criticism has ever had.
Bringing a painter’s eye to film criticism and couching even his most serious observations in a snappy, slangy prose, Farber was the first American in his profession to write perceptively about the personal styles of directors and actors without any consumerist agendas or academic demonstrations.… Read more »