It’s delightful to have Kino’s new “deluxe” edition of Albert Lewin’s Pandora and the Flying Dutchman, one of my all-time favorite examples of Hollywood romanticism, glamor, and lushness (as well as Technicolor), based on the film’s 2009 restoration, which I saw and Bologna and wrote about a little over a year ago. But while watching this edition’s extended comparison of the original with the restored version, I’m somewhat taken aback by the fact that the film I remember seeing in 1951, when I was still in grammar school, is closer to the unrestored version:
It’s obvious that the restored version is superior in terms of definition, lighting, and color. But rightly or wrongly, I remember the film in 1951 as being darker, at least in my mind’s eye — a film bathed in black more than auburn hues.
Could this be a matter of Proustian self-deception? Or could it point to a significant change in the film that I originally saw? I wish I knew. [7/8/10]