This essay was written in late November 2010 for The Common Review, whose editor commissioned it, but was subsequently and recently withdrawn from that magazine once it became clear that the editor wasn’t giving me any straight or candid answers about whether or when he would publish it. Which is why I’m publishing it here. I’ve only updated it slightly to incorporate the recent distressing news about the government’s sentencing of Jafar Panahi. And more recently, thanks to Danny Postel, this article has been reposted here, at Tehran Bureau. — J.R.
To what extent does Abbas Kiarostami, Iran’s best known and most celebrated filmmaker, still belong to Iran, and to what extent does he now belong to the world? Insofar as the first sixteen of his seventeen features have been shot in Iran –- only Certified Copy, filmed in Italy, which premiered in Cannes last May, qualifies as a feature shot in exile –- he might be said to “belong” in some fashion to his native country. But the last of his features to date to have opened commercially in Iran was his tenth, Taste of Cherry (1997), and one wouldn’t expect this situation to change anytime in the near future.… Read more »
They call it their “Self-Improvement” issue, and while flying today from Richmond to Chicago, I read three especially good articles about the sorry state of our nation, each one a pretty good substitute for the sort of news and editorials that we’re no longer getting. Here are teasers from each one:
From “Revolt of the Elites” (unsigned) in The Intellectual Situation (p. 15):
“Who…is guility of elitism, if not the elitely educated in general? The main culprits turn out to be people for whom a monied and therefore educated background lies behind the adoption of aesthetic, intellectual, or political values that demur from the money-making mandate that otherwise dominates society.”
From “Caucasian Nation” by Marco Roth in Politics (p. 14):
“The robust case for dominating other people sounds awful to most American ears today. So the contemporary idea of ethnocracy relies instead on an opposite rhetoric of victimization. The simple-minded mantra we’re taught in grade school goes like this: blacks good because oppressed, whites bad because oppressors. So if whites suddenly became oppressed, even while remaining the majority, they would magically become good again. Many Americans are now being taught to think this way.”
From “The Two Cultures of Life” by Kristin Dombek in Essays (p.… Read more »
Two consecutive items from Harper’s Index (Harper Magazine, December 2010):
Percentage of Americans who believe that Stephen King wrote Moby-Dick: 4
Number of U.S. states in which it is legal to own a tiger without a license: 9
… Read more »
Written in 2010 for Criterion’s DVD and Blu-Ray. This is the second of my essays about Terry Zwigoff’s documentary; for the first one, written 15 years earlier, go here. — J.R.
Now that Terry Zwigoff’s Crumb is about fifteen years old, it seems pretty safe to say that it has evolved from being a potential classic to actually becoming one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy outsider? A personal film essay? A cultural study? An account of family dysfunction and sexual obsession? Or maybe just a meditation on what it means to be an American male artist — specifically, one so traumatized by his adolescence that he has never found a way of fully growing past it.
In fact, Crumb is all these things, with a generous amount of thoughtful art criticism thrown in as well. An old friend of Robert Crumb’s, Terry Zwigoff shot the movie over six years and edited it over three, and the multifaceted density and sometimes disturbing nature of what he has to show and say over two hours seems partly a function of the amount of time he had to mull it over. It’s worth adding that he was in therapy for part of that time, which surely had an impact on the film’s searching thoughtfulness and on Zwigoff’s own investment in the material.… Read more »
Early last August, the editor of Seminary Coop’s The Front Table (an online arm of what may be the best academic bookstore in the U.S., located on the University of Chicago campus) emailed me and asked for a contribution to their series “What I’m Reading” in conjunction with the publication of my new book. I promptly sent him the following, which, for reasons that escape me, they never published. — J.R.
What I’m Reading: Jonathan Rosenbaum
Boy in Darkness and Other Stories by Mervyn Peake. The title novella in this recent, posthumous collection, perhaps the scariest fantasy I’ve ever read, was first encountered by me in my teens, on its first publication, in a 1956 Ballantine paperback called Sometime, Never, where it was published alongside stories by two other Englishmen, William Golding and John Wyndham. I find it every bit as dreamlike and as chilling now as it was then. And it inspired me to finally start reading
The Gormenghast Novels by Mervyn Peake. This fantasy epic trilogy in slow-motion, most of it set in a castle that appears to be roughly the size of Manhattan, among characters obsessed with their duties and rituals, has beautifully vivid and magically precise prose, and it’s attractively packaged with two introductions (by Quentin Crisp and Anthony Burgess) and 140 pages of critical assessments.… Read more »
This piece by Gary Younge appeared a little over a week ago but is still relevant. Here are two particularly salient passages:
It is not unrealistic to believe that a country as wealthy as the US should be able to provide healthcare for all, a dignified life for its elderly, an infant mortality rate better than Cuba’s, a life expectancy higher than Bosnia’s, a foreign policy that does not hinge on military aggression, and an economy where fewer than one in seven live in poverty. What is unrealistic is to believe that any of those things can be achieved, or even seriously tackled, with just a single vote.
Republicans will head to the polls to elect people who will actually cut jobs and support bankers. Democrats may well stay at home because their candidate has not made things better, and in so doing make things worse. Neither disaffection nor rage are electoral strategies. But in the absence of an alternative, frustration has political consequences.
November 3: American voters have spoken, and the message appears to be to leave Tomorrowland for Frontierland while remaining in the same Disney theme park, albeit this time without any tickets.… Read more »