Monthly Archives: March 2012

On Alain Resnais

Written to introduce a dossier in Farsi on Alain Resnais prepared by Ehsan Khoshbakht in March 2012. — J.R.

Alain Resnais is clearly one of our greatest living filmmakers. But he’s also one of the most elusive, for a number of reasons. He started out as the most international of all the French New Wave artists, at least in his early features (especially Hiroshima mon amour,Last Year at Marienbad, La Guerre est finie,Je t’aime, je t’aime, and Providence), but then went on to become the most French of French directors (not only in obvious cases such as Mon oncle d’Amérique, Stavisky…, Mélo, Same Old Song, Not on the Lips, and Wild Grass, but even in films derived from English or partially American sources, such as I Want To Go Home, Smoking, No Smoking, and Private Fears in Public Places). Even before he got around to making features, he made by far the greatest films in the history of cinema about racism and colonialism (Statues Also Die), the Holocaust (Night and Fog), plastic (La Chant du Styrène), and libraries (Tout la mémoire du monde).Among the most personal of modern filmmakers, he never signs his own scripts, always preferring, as Claire Denis once pointed out to me, to hide behind his screenwriters.Read more »

Raymond Durgnat’s Web Site is Growing

I was delighted to discover just now that the Raymond Durgnat web site — relaunched about half a year ago, and one of my favorite movie-related web sites (which, even better, includes a lot of material about things other than movies, including some rare poems), has been growing and expanding lately; see, especially, Articles, Poems, and Additional Resources and Links for some of the new additions.  It’s also worth recalling that Ray’s pioneering A Mirror for England came out in a second edition late last year, with a new Introduction by Kevin Gough-Yates, his literary executor, and this was about a year after the publication of a second edition of A Long Hard Look at ‘Psycho’, with a new Introduction by Henry Miller. (May 21 update, wonderful news:  Miller has also edited a superb Durgnat collection of previously uncollected pieces that the British Film Institute plans to bring out in December 2012.)…On the web site, I haven’t found any activity yet on the Forum, but I’m hoping that this will start to grow soon as well. [3/11/12]

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