While eagerly awaiting the publication of the aptly named Images of the Mind: The Essential Raymond Durgnat, a definitive collection edited by Henry K. Miller that the British Film Institute will apparently publish later this year, I’ve just found time to experience the pleasure of a remarkable 1992 documentary with half of the same title, Jarmo Valkola’s 45-minute Images of the Mind: Cinematic Visions by Raymond Durgnat — a film now available at newly revamped Durgnat web site that manages to be both a wonderful portrait of the greatest of all English film critics (1932-2002), speaking as both a fan and as a friend over the last three decades of his life (as well as one-time house mate, circa 1977-78), and a brilliant lecture by Ray about the nature of film, the history of the English character in the 20th century, and the art of Michael Powell. Indeed, the only thing that can be said to be dated about this remarkable film is the fact that it cites Durgnat’s still-unpublished book about Powell as one of his publications. Otherwise, it impressively predates the recent film criticism on film that can be found in the work of Kevin Lee and Volker Pantenburg, among many others.… Read more »
Monthly Archives: April 2013
I can’t speak for Jim Hoberman. As nearly as I can remember, I simply coined the phrase in order to group together several countercultural westerns — which included, by the way, some of the novels of Rudy Wurlitzer as well as some movies.
I’ve already blurbed this book, both on this site for its French edition and on Amazon for its e-book Kindle edition (where you can also read a couple of perceptive five-star reviews from other fans), so let me just reiterate here that if you haven’t yet checked this sucker out, you’ve got a lot of unhealthy fun awaiting you. [4/17/13]… Read more »
A slightly edited version of the following essay was published to accompany a film series devoted to the favorite films of Frieda Grafe that was held in the spring of 2013 at the Arsenal in Berlin. I was also invited to Berlin to introduce the screening of Avanti! on April 28. (The next day, in response to my opening sentence, Volker Pantenburg was kind enough to email me a rough translation of Grafe’s brief remarks about Avanti! in her “Filmtips”: “AVANTI!, 1972. As in FEDORA, it is about a corpse, but here it’s more time-critical. The American Moloch is confronted with its European frontiers, the Mafia. And: the Indian summer of business men” ["business men" is written in English].). — J.R.
As someone who can’t read German, I feel more than a little frustrated that I can’t read Frieda Grafe on the subject of Avanti! But I know that she selected the film in 1995 as one of her thirty favorites — a fascinating, eccentric line-up that contains only one silent picture(Frank Capra’s The Strong Man, 1926) and only one film of the 1980s (Jacques Rozier’s Maine-Océan, 1986), to cite the first and last items on her list.… Read more »