Monthly Archives: September 2014

Out 1 Solitaire

mubi.com/notebook/posts/out-1-solitaire

The following “messages” were sent to Kevin B. Lee as part of the preparatory work for our video Out 1 Solitaire: Part of the impact of Out 1 derives from the way
mubi.com|By Jonathan Rosenbaum and Kevin B. Lee
[09/30/14]

Read more »

SHOAH & Ten-Best Documentary List

Written for Sight and Sound‘s documentary film poll in their September 2014 issue, and posted online with partial corrections (and some new errors, such as spelling James Benning’s RR “Rr”) yesterday. Two unfortunate differences between my ten-best list and the one they published on paper is (1) the exclusion (through an oversight) of my 9th selection, Peter Thompson‘s Universal Hotel/Universal Citizen (although online they now list only Universal Hotel and exclude Universal Citizen) and (2) my specification that I was referring only to the French version of Rossellini’s India — a version that I vastly prefer to the Italian version, though more as fiction than for any “documentary” reasons (which applies to most or all of my other choices). This gives an added truth to James Benning’s own bold contribution to the same poll, well worth quoting in full: “Titanic (Cameron). This is my only vote: an amazing document of bad acting. And, I might add, all films are fictions.” –  J.R.

SHOAH

shoah

 

 

 

There are documentary filmmakers who plant their stakes within existing traditions and those for whom cinema has to be reinvented. Claude Lanzmann clearly belongs in the latter category. Of course cinema already had to exist in order to allow Lanzmann to make Shoah (1985) — named after the Hebrew word for annihilation — but he also had to rethink what cinema could be.… Read more »