Daily Archives: January 6, 2017

Faithless Re-creation

From the Chicago Reader (January 29, 1999). — J.R.

gloriakid

Gloria

Rating * Has redeeming facet

Directed by Sidney Lumet

Written by Steven Antin

With Sharon Stone, Jean-Luke Figueroa, Jeremy Northam, Cathy Moriarty, Mike Starr, Bonnie Bedelia, and George C. Scott.

gloria-longshot

I don’t much relish remakes, especially of movies I like — I’ve avoided seeing the new Payback, a retooling of John Boorman’s Point Blank (1967) — but the idea of Sidney Lumet remaking John Cassavetes’s Gloria (1980) with Sharon Stone seemed to offer possibilities. After all, Cassavetes wrote the script for MGM thinking someone else would direct it; he wound up directing it himself for Columbia only because his wife, Gena Rowlands, was the star and the studio asked him to. “Look, I’m not very bright,” he insisted in an interview. “I wrote a very fast-moving, thoughtless piece about gangsters. And I don’t even know any gangsters. Gloria has a wonderful actress and a very nice kid [John Adames] who’s neither sympathetic nor unsympathetic. He’s just a kid. He reminds me of me — constantly in shock, reacting to this unfathomable environment.” Later he added that when he began shooting Gloria, “I was bored because I knew the answer to the picture the minute we began….All my best work comes from not knowing.”

gloria-rowlands

Enjoyable hokum at best, Cassavetes’s movie draws a lot of confidence from old-fashioned Hollywood tropes.… Read more »

The World According to Harvey and Bob

From the Chicago Reader (June 16, 1995). — J.R.

The Glass Shield

Rating *** A must see

Directed and written by Charles Burnett

With Michael Boatman, Lori Petty, Ice Cube, Elliott Gould, Richard Anderson, Don Harvey, Michael Ironside, Michael Gregory, Bernie Casey, and M. Emmet Walsh.

Smoke

Rating * Has redeeming facet

Directed by Wayne Wang

Written by Paul Auster

With William Hurt, Harvey Keitel, Stockard Channing, Harold Perrineau, Giancarlo Esposito, Ashley Judd, and Forest Whitaker.

My dozen favorite films at Cannes this year? Terence Davies’s ecstatic wide-screen The Neon Bible, set in a perfectly imagined Georgia of the early 40s, with Gena Rowlands; Emir Kusturica’s Yugoslav black-comedy epic Underground; Hou Hsiao-hsien’s beautiful if difficult Good Men, Good Women; Jim Jarmusch’s transgressive western Dead Man; Jafar Panahi’s The White Balloon, an Iranian urban comedy about children that unfolds in real time; Zhang Yimou’s Shanghai Triad, a cross between Sternberg’s The Devil Is a Woman — with Gong Li taking the place of Marlene Dietrich — and Billy Bathgate; and Manoel de Oliveira’s The Convent (Ruizian metaphysics and theology with John Malkovich and Catherine Deneuve). Then there were such pleasures on the market as Gianni Amelio’s Lamerica, a mordant treatment of the collapse of communism in Albania; lively low-budget musicals by Jacques Rivette and Joseph P.… Read more »