SPECIAL CITATION for a film awaiting American distribution: Sieranevada (Romania) Cristi Puiu
FILM HERITAGE AWARD: Kino Lorber’s 5-disc collection “Pioneers of African-American Cinema”
*1. Casey Affleck (65) – Manchester by the Sea
2. Denzel Washington (21) – Fences
3. Adam Driver (20) – Paterson
*1. Isabelle Huppert (55) – Elle and Things to Come
2. Annette Bening (26) – 20th Century Women
2. Sandra Hüller (26) – Toni Erdmann [tied with Bening]
BEST SUPPORTING ACTOR
*1. Mahershala Ali (72) – Moonlight
2. Jeff Bridges (18) – Hell or High Water
3. Michael Shannon (14) – Nocturnal Animals
BEST SUPPORTING ACTRESS
*1. Michelle Williams (58) – Manchester by the Sea
2. Lily Gladstone (45) – Certain Women
3. Naomie Harris (25) – Moonlight
*1. Manchester by the Sea (61) – Kenneth Lonergan
2. Moonlight (39) – Barry Jenkins
3. Hell or High Water (16) – Taylor Sheridan
*1. Moonlight (52) – James Laxton
2. La La Land (27) – Linus Sandgren
3. Silence (23) – Rodrigo Prieto
*1. Moonlight (54)
2. Manchester by the Sea (39)
3. La La Land (31)
*1. Barry Jenkins (53) – Moonlight
2.… Read more »
From Cineaste (December 2001).
For a long time, I hesitated about reprinting this, but the news about Ray Carney’s unspeakable treatment of filmmaker Mark Rappaport (as detailed here) eliminated my compunctions.
For more about Rappaport’s work, here are a couple of the many links on this site:
Cassavetes on Cassavetes
Edited by Ray Carney. London and New York: Faber and Faber, 2001. 526 pp., illus. Paperback: $25.00.
The Films of John Cassavetes: Pragmatism, Modernism, and the Movies
by Ray Carney. Cambridge, New York and Melbourne: Cambridge University Press, 1994. 322 pp., illus. Paperback: $24.95.
John Cassavetes: The Adventure of Insecurity
by Ray Carney. Second Edition. Walpole, MA: Company C Publishing, 2000. 64 pp., illus. Paperback: $15.00.
by Ray Carney. London: British Film Institute (BFI Film Classics), 2001. 87 pp., illus. Paperback: $12.95.
John Cassavetes: Lifeworks
by Tom Charity. London, New York and Victoria: Omnibus Press, 2001. 257 pp., illus. Paperback: $19.95.
As nearly as I can remember, I had two opportunities to meet John Cassavetes in the flesh, both times in New York, and I deliberately passed on both of them. Shortly after Faces came out in the mid-Sixties, a friend from my home town in Alabama who worshipped that film even more than I did — Shadows was still my own favorite then — came to town and found a way of contacting and then going to meet his idol, who was preparing Husbands at the time; he invited me to come along, and I declined.… Read more »
From the Chicago Reader (September 27, 1991). — J.R.
John Cassavetes’s first crime thriller (Gloria was the second), a post-noir masterpiece, failed miserably at the box office when it was first released in 1976; two years later, he released this recut, shorter, and equally good version, which didn’t fare much better. Actually more a personal and deeply felt character study than a routine action picture, it follows the last days of Cosmo Vitelli (Ben Gazzara at his very best), the charismatic owner of an LA strip joint who recklessly gambles his way into such debt with the mob that he has to bump off a Chinese bookie to settle his accounts. In many respects the film serves as a summation of Cassavetes’s view of what life is all about. In fact what makes the tragicomic character of Cosmo so moving is that Cassavetes regarded him as his alter ego — the proud impresario and father figure of a tattered show-biz collective (read Cassavetes’s actors and filmmaking crew) who must compromise his ethics to keep his little family afloat (read Cassavetes’s career as a Hollywood actor). Peter Bogdanovich used Gazzara in a similar part in Saint Jack (1979), but as good as that film is, it doesn’t catch the exquisite warmth and delicacy of feeling of Cassavetes’s doom-ridden comedy-drama.… Read more »