Daily Archives: February 9, 2017

Money Changes Everything [GREED on video]

From Movieline (April 21, 1989, Vol. V, issue 99). — J.R.


It is a strange, grim tale, not typical of 1920s Hollywood entertainment.A gentle, burly dentist from the California mines named McTeague (Gibson Gowland) moves to San Francisco, where he befriends Marcus (Jean Hersholt), who works at the local dog hospital, and falls in love with Trina (Zasu Pittts), Marcus’s cousin and prospective fiancĂ©e. Out of friendship, Marcus relinquishes all claims on Trina, who gets engaged to “Mac”. But when she wins $5,000 in a lottery, Marcus feels cheated, and ruins Mac’s career by revealing that he has been pulling teeth without a license. After her marriage, the shy and frigid Trina becomes obsessed with the money she has won, refusing to spend any of it, and driving the impoverished Mac to drink and eventually to violence and murder….

Perhaps the least glamorous movie ever to have come out of a major studio, Greed (1924) is more than just a polemic about the power of money to destroy love and friendship. Finally appearing on video 65 years after its commercial release, it remains one of the most powerful of all silent movies, as well as one of the most modern in style and substance.… Read more »

The Wedding March

From the Chicago Reader (March 1, 2002). — J.R.

WeddingMarchcolor

I seem to be in the minority in considering Erich von Stroheim’s 1928 extravaganza to be less than a masterpiece. It’s a bit obvious and redundant (apart from a brilliantly edited and extended mutual flirtation sequence), and it doesn’t compare with Blind Husbands, Foolish Wives, Greed, The Merry Widow, or Queen Kelly. But it’s exceptionally subtle and witty at times (one highlight is an early sequence in two-strip Technicolor), and even minor Stroheim is considerably better than most other filmmakers’ major work. The director, also one of the great silent actors, plays the lead, a flirtatious prince who agrees to marry for money to help his parents (ZaSu Pitts is the expectant bride, a crippled heiress) but falls in love with a poor woman (Fay Wray) shortly before the wedding. At great expense Stroheim re-created the decadent splendor of the Vienna of his youth, then saw his film mutilated by Paramount; the first half of the story is all that survives today in any form. 113 min. (JR)

TheWeddingMarchposterRead more »