From the Chicago Reader (May 24, 1991). What prompted me to repost my thoughts about Andrew Dice Clay was, oddly enough, the Summer issue of the French quarterly magazine Trafic, which arrived in yesterday’s mail and where the lead article, about our Madman-in-Chief, cites J. Hoberman’s excellent analysis of Trump, which alludes pertinently to Clay. — J.R.
TRUTH OR DARE
*** (A must-see)
Directed by Alek Keshishian
* (Has redeeming facet)
Directed by Jay Dubin
Written by Andrew Dice Clay and Lenny Shulman
With Andrew Dice Clay.
“I know I’m not the best singer or the best dancer. I’m interested in pushing other people’s buttons.”
— Madonna in Truth or Dare
“I have no tolerance for anyone or anybody.”
— Andrew Dice Clay in Dice Rules
Madonna’s Truth or Dare and Andrew Dice Clay’s Dice Rules are performance films about sex and defying taboos that are clearly conceived as statements from and about their stars. The movies are radically different, but they have a few things in common: an adolescent sense of outrage spurred by adolescent fans and energies, a postmodernist reliance on movie-star models, a preoccupation with narcissism and masturbation, and a painstaking effort on the part of their stars to “explain” themselves.… Read more »
From the Chicago Reader (May 19, 2006). — J.R.
The Lost City
* (Has redeeming facet)
Directed by Andy Garcia
Written by G. Cabrera Infante
With Garcia, Steven Bauer, Richard Bradford, Nestor Carbonell, Lorena Feijoo, Bill Murray, Dustin Hoffman, Tomas Milan, and William Marquez
An intellectual initially associated with Castro’s revolution, G. Cabrera Infante (1929-2005) founded the Cuban Cinematheque and was known as both the Cuban James Joyce and the Cuban Laurence Sterne. He spent his final 39 years in voluntary exile in London, and his last screenplay was for The Lost City, the first feature directed by Andy Garcia. Among his works available in English are the novels Three Trapped Tigers, View of Dawn in the Tropics (the most succinct and measured, and my favorite), and Infante’s Inferno; his nonfiction includes Holy Smoke (a tribute to Havana cigars, his first book written in English) and A Twentieth Century Job, a collection of film criticism published under the pseudonym G. Cain (derived from his first initial and the first two letters of Cabrera and Infante). And there’s the screenplay for the 1971 Hollywood thriller Vanishing Point, also credited to Cain.
Sixteen years ago Garcia decided he wanted to adapt Cabrera Infante’s unadaptable, pun-packed, joyfully multicultural Three Trapped Tigers, an epic about Havana nightclub life during the late Batista period.… Read more »