Daily Archives: June 29, 2017

Il Cinema Ritrovato DVD Awards 2017

Il Cinema Ritrovato DVD Awards 2017

Jurors: Lorenzo Codelli, Alexander Horwath, Lucien Logette, Mark McElhatten, Paolo Mereghetti, and Jonathan Rosenbaum. Chaired by Paolo Mereghetti.

 

PERSONAL CHOICES

Lorenzo Codelli: Norman Foster’s Woman on the Run (1950, Flicker Alley, Blu-ray). A lost gem rescued by detective Eddie Muller’s indefatigable Film Noir Foundation

Alexander Horwath: Déja s’envolé la fleur maigre (Paul Meyer, 1960, Cinematek/Bruxelles, DVD) and Il Cinema di Pietro Marcello: Memoria dell’immagine (2007-2015, Cinema Libero/Cineteca di Bologna, DVD). Regarding the latter: with this cinematheque-style DVD, subtitled in English and French, one of the greatest contemporary filmmakers, whose work is still under-appreciated outside Italy, receives his rightful chance for global recognition.

 

Lucien Logette:

Tonka Šibenice (Karel Anton, 1930, Czech Republic, Národní filmový archiv/Filmexport Home Video, DVD)

One of the first Czech sound films. Like many great films of that era, it reflects several influences: expressionism, social realism, Kammerspielfilm, the art of Soviet photography, all used remarkably, without imitation. It contains all the great themes of the end of the silent period: the opposition between the city and the countryside, the misdeeds of modern society, frustrated loves ending in drama, themes served by an astonishing visual beauty.

Mark McElhatten: Kafka Goes to the Cinema (Munich, 4 DVD box set, Edition Filmmuseum).… Read more »

Paranoia Rising: Origins and Legacy of the Conspiracy Thriller (2017 revision)

An updated revision of a 1999 essay, commissioned by and posted on Slate on May 24, 2017. — J.R.

 

One of the paradoxes of conspiracy thrillers is that seeing the world as if it were as orderly and coherent as a work of art is both satisfying and terrifying. If everything makes sense, then it’s hard to avoid the premise that someone somewhere is creating that coherence–either God or an equally unseen puppet master. And the fact that we don’t see the strings being pulled means that our imaginations are invited to sketch them in, making us co-conspirators in the process: And opting out of this creative participation means accepting chaos: “If there is something comforting—religious, if you want—about paranoia,” declares Thomas Pynchon in Gravity’s Rainbow, “there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long.

les vampires speeding car

 

lesvampiresbondage2

 

It’s a tradition that harks back to Louis Feuillade’s silent serial of 1915-1916, Les vampires, about a gang of ingenious working-class criminals headed by a beautiful woman and preying on the richa crime thriller evoked in Olivier Assayas’ 1996 dark comedy about a contemporary remake, Irma Vep.Read more »