Program notes for this double feature at Manhattan’s Public Theater, March 8-13, 1983. A few of the arguments here, such as the comparison of Driver with Straub, strike me now as forced, but when I recall that students in the Downtown Whitney program during the same period compared You Are Not I abusively to The Twilight Zone (and were equally reluctant to regard John Ford as a serious artist when Straub praised him), I think my polemics were warranted….A happy postscript: both films are now available in excellent digital restorations (see below). -– J.R.
Slow yet relentless in their narrative progressions, deliberately nonspecific in their period settings, and equally unimaginable in anything but black and white, YOU ARE NOT I (1981) and THE HONEYMOON KILLERS (1969) are both startling and achieved first films about the triumphs of inexorable wills — each made with a kind of rigor and passion that seem oblivious to the whims of fashion. Small wonder that François Truffaut should be enthusiastic about the earlier film, with its accelerating montage of breathless love letters, its flighty camera movements and implacable bursts of Mahler; or that Jean-Marie Straub should be enthusiastic about the later one (“I liked your film ten times better than Roger Corman’s Edgar Allen Poe movies”), with its integral use of dialectics in conception and treatment alike.… Read more »