Daily Archives: December 7, 2017

Paris Journal (May-June 1973)

From Film Comment (May-June 1973). — J.R.

LES IDOLES, Marc’O’s film version of his theater piece, originally opened in Paris in May, 1968, when many of its spectators were out in the street and presumably had other things to think about. It was released again early this year; but after a nominal run in one of several new mini-cinemas that have springing up lately all over the Left Bank, it seemed to vanish into oblivion a second time, only to re-emerge in a neighborhood house in early February, where it is currently playing. Talent does usually seem to find a way to reassert itself. Marc’O’s sarcastic parody about the making and merchandising of pop has nothing particularly profound or original to “say” about its subject, but it happens to have three of the liveliest performances in the modern French cinema.

Bulle Ogier, Jean-Pierre Kalfon, and Pierre Clementi, as the three pop stars, dive into their parts with such enthusiasm and expertise that the screen comes alive with their electric energies, and one can only speculate on how much more spectacular they must have been on the stage. (Despite some clever attempts at adaptation, LES IDOLES stubbornly remains another variant of filmed theater — a good thing to have, under the circumstances, but like Shirley Clarke’s ingenious recording of THE CONNECTION, it cannot really offer an equivalent to the excitements of a live performance.) A theoretical problem about parodying French rock is the fact that, at least to American ears, most of it tends to sound like parody anyway; but Ogier, Kalfon, Clementi overcome this obstacle with dazzling variations on the very notion of Star Presence.Read more »

The Mattei Affair (1975 review)

From Monthly Film Bulletin, June 1975 (Vol. 42, No. 497). — J.R.

Caso Mattei, Il (The Mattei Affair) Italy, 1972
Director: Francesco Rosi
27 October, 1962. The private plane of Enrico Mattei, president of ENI (Ente Nazional Idrocarburi), flying from Sicily to Milan, crashes in Bascape, killing the pilot Bertuzzi, the Time-Life reporter McHale and Mattei himself. An account follows of both the investigation into the causes of this accident (a mystery that remains unsolved) and of Mattei’s public career, revealing that diverseindividuals and organizations (from the Mafia to the CIA) had reasons for wanting to see him dead. His controversial position grew out of his efforts to use his state oil organization, AGIP, to compete with private individuals, and to deal with Third World oil-producing countries (Algeria, Egypt, Iran, Libya, Morocco, Saudi Arabia, Tunisia) in terms more advantageous than the 50-50 arrangement offered by the major oil companies. This project began in April 1946, when a small methane deposit was discovered in the village of Caviaga, and Mattei decided to exaggerate and exploit its value as a coal substitute in order to create his organization and gain an economic and political foothold. In the investigation running parallel to a re-enactment of his career (the latter culminating in his visit on the day of his death to Gagliano, Sicily, where he is acclaimed as a popular hero), Mauro De Marro, a Sicilian journalist reconstructing the last day of Mattei’s life for the purposes of the present film, suddenly disappears, apparently kidnapped — another unsolved mystery.… Read more »