A recent essay. Note: the much-expanded second edition of Mehrnaz’s and my book about Kiarostami for the University of Illinois Press will be out in early March. — J.R.
Reflections on Kiarostami’s Two-Way Mirrors
“The power of cinema is to create believable illusions.” Abbas Kiarostami
As I begin to write about Abbas Kiarostami’s cinema, my profound sadness about his loss emerges again. The vivid memories of several meetings and conversations with him in different countries (Iran, Europe, Canada, and the US) and at different times and on various occasions in the last four decades are now mixed with images from his films. How ironic that his death happened so abruptly, like the many unexpected and unresolved open-endings of his films.
The filmmaker I was fortunate to know was a graceful, thoughtful dignified man, observant and playful with a great sense of humor. Despite his fame, he was very humble. He was very supportive of other filmmakers, new directors, and especially his students in many of his workshops around the world.
I remember meeting him for the first time in Tehran after the screening of his second feature, The Report (Gozaresh, 1977). The dark bleak film had very little resemblance to its warm friendly-looking approachable serene director who always wore a sweet smile when greeting people.… Read more »