I’ve lost track of when I originally posted this, but it may have been on March 21, 2012. In any case, the English version of this collection is now available. — J.R.
This book has clearly been a long time coming. Like Pedro Costa and (the otherwise very different) Alain Resnais, Jean-Marie Straub and the late Danièle Huillet should be regarded as film critics and film historians who aren’t really writers in any ordinary sense. (Resnais’ critical and historical gifts, I would argue, are mainly apparent in his films rather than in his interviews.) When I curated the last American retrospective of Straub-Huillet’s work to date almost thirty years ago, the accompanying catalogue of essays that I put together to accompany this event, partially with their advice and assistance, included a lengthy section entitled “Straub and Huillet on Filmmakers They Like and Related Matters,” drawn from a dozen separate sources and translated, when necessary, by me — not always gracefully, I’m sorry to say. (I’ll be posting my lengthy Introduction to this catalogue a couple of days from now.)
Although it’s beyond my current means to reproduce the entirety of “Straub and Huillet on Filmmakers They Like and Related Matters” here (I wish I could), I can offer a sampling from it below, some of which appears in their original French in Écrits (e.g., the texts on Lubitsch and Dreyer), and some of which is drawn from interviews and public appearances in English (e.g., the texts on Tati, Renoir, Buñuel, Hawks, and Nicholas Ray), which don’t appear there.… Read more »