Daily Archives: June 11, 2018

Poet of Loneliness (WHAT TIME IS IT THERE?)

From the March 1, 2002 issue of the Chicago Reader. — J.R.

What Time Is It There?

**** (Masterpiece)

Directed by Tsai Ming-liang

Written by Tsai and Yang Pi-ying

With Lee Kang-sheng, Chen Shiang-chyi, Lu Yi-ching, Miao Tien, Cecilia Yip, and Jean-Pierre Léaud.

After hearing the adagio of a Schubert chamber work: there is nothing more beautiful than the happy moments of unhappy men. This might serve as a definition of art. — The Diaries of Kenneth Tynan

Toward the beginning of his essay “The Crack-Up,” F. Scott Fitzgerald notes that “the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.” That might well describe the agenda of a poetic and philosophical Taiwanese-French feature, Tsai Ming-liang’s glorious two-part invention What Time Is It There?, which premiered at Cannes last year and is opening at the Music Box this week (assuming the theater reopens after some trouble with health inspectors). It feels more contemporary, at least from a global perspective, than any other new movie in town, and central to it is an examination of separateness and togetherness, unity and disparity in two separate countries in two separate parts of the world.… Read more »

Our Sylvias — and Guerín’s

Written in April 2011 for the Cinema Guild DVD of In the City of Sylvia and Some Photos in the City of Sylvia. Alas, most of the illustrations used here come from the former of these, the second to have been made. — J.R.

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in_the_city_of_sylvia

José Luis Guerín’s Some Photos in the City of Sylvia has been described, by myself and others, as a silent, black and white “study” (or filmed “treatment,”or “scenario”) in 2007 that formed the basis for In the City of Sylvia, a color and sound “remake”of the following year. Whether or not this might be technically accurate in terms of causality and financing, it now strikes me as an inadequate way of summarizing the fascinating relation between these two works. I even think it’s an error to view these two films as two versions of the same story — a mistake I made myself when I reviewed them together back in 2008 — because assuming this overlooks too many other things.

inthecityofsylvia-drawing

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Just as there are viewers who prefer Chantal Akerman’s Golden Eighties (1983), her feature-length “preview” to her 1986 musical Window Shopping, and others who prefer Jean-Luc Godard’s 54-minute Scenario du Film “Passion” (1982) to his 88-minute Passion (made the same year), it’s entirely possible to prefer Guerín’s 67-minute “sketch” to his 84-minute feature.… Read more »