A lecture written circa fall 2002, I forget for which occasion. I’m not even sure if this represents a complete or final draft. This was written before the belated rediscovery of The Third Man in Vienna (not one of the better episodes in Around the World with Orson Welles, alas, and now available on DVD). — J.R.
My point of departure for this paper is remarks that have been made by myself and others about Orson Welles’ three completed features of the 1950s —- Othello, Mr. Arkadin, and Touch of Evil—- and how these reflect his attitudes towards what was happening in the United States around the same time. More specifically, I’m thinking of my own speculation that Othello (1952) may have something to do with the Hollywood blacklist and witch hunts, and James Naremore’s observation that the character of Van Stratten (Robert Arden) in Mr. Arkadin (1955), “quite by accident, bears an uncanny resemblance to a young, athletic Richard Nixon,” relates to the Cold War (with Arkadin having been modeled to some degree on Josef Stalin and the character of Van Stratten suggesting Richard Nixon in certain respects).
Now I hasten to add that the conscious intentionality of Welles in relation to either of these relationships or many others like them probably fluctuates a good deal, and that this isn’t my only frame of reference.… Read more »