Daily Archives: February 11, 2019

W.W. AND THE DIXIE DANCEKINGS (1975 review)

From Monthly Film Bulletin, September 1975, Vol. 42, No. 500. — J.R.

W.W. and the Dixie Dancekings

 

 

 

U.S.A..1975

Director: John G. Avildsen

 

 

 

Cert—A. dist–Fox-Rank. p.c–20th Century-Fox. exec. p–Steve

Shagan. p–Stanley S. Canter. p. manager–William C. Davidson. asst. d

–Ric Rondell, Jerry Grandey. sc–Thomas Rickman. ph–Jim Crabe.

col–TVC; prints by DeLuxe. ed–Richard Halsey, Robbe Roberts. a.d

Larry Paull. set dec–JimBerkey. sp. effects–Milt Rice. m–Dave Grusin.

songs–”Hound Dog” by Jerry Leiber, Mike Stoller, sung by Elvis

Presley; “Goodnight, Sweetheart, Goodnight” by Calvin Carter, James

Hudson; “Johnny B. Goode” by Chuck Berry; “Bye Bye Love” by

Felice Bryant, Boudleaux Bryant; “I’m Walkin’” by Antoine “Fats”

Domino, Dave Bartholomew; “Blue Suede Shoes” by Carl Lee Perkins;

“Mama Was a Convict” by Tom Rickman, Tim Mclntire; “A Friend” by

Jerry Reed; “Dirty Car Blues” (traditional), performed by Furry Lewis.

cost–Dick LaMotte. titles–PacificTitle. sd. rec–Bud Alper. sd. re-rec

Don Bassman. stunt co-ordinator–Hal Needham.… Read more »

UNE SIMPLE HISTOIRE (previously unpublished, 1970)

Here’s a short piece of mine written for a glossy film magazine, On Film, that never survived past its first issue. It was prompted largely by a negative review of this film by the late Stuart Byron that appeared in the Village Voice after the film showed at the New York Film Festival in September 1970 — a review claiming, as I recall, that the film was a slavish, simplistic, and reductive imitation of Bresson. The fact that Byron was also my (putative) editor at On Film probably didn’t help to speed things along.

Une Simple Histoire can be seen now in its entirety on YouTube, and in what appears to be a decent print, although not, alas, with English subtitles. – J.R.

UNE SIMPLE HISTOIRE

Marcel Hanoun, 1958

In the frantic setting of a film festival, with an audience and press too eager to call “hit” or “miss” at the drop of a curtain, there is little chance of a masterpiece like Une Simple Histoire receiving the kind of attention it deserves. Although Marcel Hanoun’s first film was made over a decade ago, it is much too individual a work to have gone through any significant aging process; one suspects that it will continue to be as new and as unassimilated by other films ten years from now.… Read more »