Daily Archives: March 13, 2019

Declarations of Independents: Chance Encounters

From The Soho News (June 24, 1981). — J.R.

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Rediscovering Warner Brothers
Thalia, Thursdays through Aug. 27
***
High Heels (Dr. Popaul)
Written by Paul Gegauff
Based on a book by Hubert Monteilhet
Directed by Claude Chabrol
***
Dandy, The All-American Girl (subsequently retitled Sweet Revenge)
Written by B.J.Perla and Marilyn Goldin
Directed by Jerry Schatzberg

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Juke Girl is an unassuming Warner Brothers program filler — a Depression movie made in 1942 starring Ronald Reagan as a young socialist hero from Kansas and Ann Sheridan in the tough-and-tender title part. It reminds me of something that Manny Farber said in a recent lecture about what people looked like in 30s films, when “every shape was legitimate,” as opposed to the more constricting notions about what people are supposed to look like in 70s films — a model that remains in force today.

As a general rule of thumb, I think one can argue pretty plausibly that any Warner Brothers Depression film, however minor, has something going for it on a social/aesthetic level that can’t be found in any over-publicized New Hollywood glitz production, however major. This is less monolithic a judgment than it sounds, especially if one considers the radically different notions of audience involved.… Read more »

Check Your Baggage [CRIMSON GOLD]

From the Chicago Reader (April 16, 2004). As much as I share my colleagues’ admiration [in 2012] for Jafar Panahi’s This is Not a Film, I must confess that I find it both depressing and somewhat insulting to Panahi that this is receiving more attention and praise in some quarters than his full-fledged films ever did, including such masterpieces as The White Balloon, The Circle, and Crimson Gold (not to mention Panahi’s more inventive and fruitful 2013 Closed Curtain, made under the same constraints as This is Not a Film). Which is why it seems worth reviving my review of the latter film. — J.R.

Crimson Gold **** (Masterpiece) Directed by Jafar Panahi Written by Abbas Kiarostami With Hussein Emadeddin, Kamyar Sheissi, Azita Rayeji, Shahram Vaziri, Ehsan Amani, and Pourang Nakhayi.

“War President” is an image. It is not a textual statement or rhetorical argument. An image is like an empty room and any message that one reads in that room necessarily came in the baggage one carried when one walked in the door. If I made an image of George Washington composed of images of the American dead from the revolution, would viewers likely take that image as an indictment of Washington?Read more »