Joseph McBride, a friend, asked me to contribute a list of some sort to The Book of Movie Lists (Chicago: Contemporary Books, 1999), which he put together, and here’s what we came up with. -– J.R.
The 10 Best Jazz Films
by Jonathan Rosenbaum
What follows is a personal list of neither the best films on jazz (e.g., Jazz on A Summer’s Day) nor the best examples of jazz on film (such as the Fats Waller soundies or the 1981 Johnny Griffin at the Village Vanguard), but something more special and rarified: films in which the aesthetics of jazz and the aesthetics of film find some happy and mutually supportive meeting ground.
1.Black & Tan (DUDLEY MURPHY, 1929). Remarkable not only as an experimental narrative by the (often uncredited) main author of Ballet mécanique and as a radical political statement about to whom jazz belongs, but also as a ravishing, poetic marriage between the music of Duke Ellington and the poetics of death and orgasm. Only twenty-one minutes long, but the aesthetics of jazz and film start here.
2.When it Rains (CHARLES BURNETT, 1995). A twelve-minute miracle, and, alas, the only film on this list by a black filmmaker, this is a jazz parable about the discovery of common ‘6os roots via a John Handy album in contemporary L.A., with a wonderful offscreen commentary.… Read more »