Daily Archives: June 22, 2019

Jazz Soundies and other numbers from the 1940s

From Monthly Film Bulletin, July 1976 (Vol. 43, No. 510). –- J.R.

Nat King Cole Trio

U.S.A., 1948
Director: Josh Binney

Dist—TCB. p.c–All-American. p–Glucksman. m/songs–“Oo Kickerooni”, Rooney”, ‘”Now He Tells Me”, “Breezy and the Bass” performed by–Nat “King” Cole (piano, vocals), Johnny Miller (bass), Oscar Moore (guitar). No further credits available. 262ft. 7 mins. (16 mm.).

A musical extract from the Forties black feature Killer Diller – made, like Jivin in Be-bop, exclusively for black audiences — this short illustrates Cole’s remarkable piano playing in a concert, as well as certain aspects of the cooler and more commercial vocal style which he eventually adopted. A graceful, inventive soloist, whose style virtually bridges swing and bebop, with long, perfectly articulated lines which have influenced pianists for three successive decades, he also conveys an unmistakable stage presence — sitting almost perpendicular to the piano while performing difficult runs effortlessly in a manner that is nearly as ‘visual’ as Chico Marx’s. Moore and Miller also takes solos, and the latter is highlighted on “Breezy and the Bass”, a fast virtuoso piece based on the chords of ”I Got Rhythm”; “Now He Tells Me” features Cole’s smooth mock-hip singing of the period, exuding a kind of throwaway charm that remains irresistible.

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