Daily Archives: July 5, 2019

Ten Overlooked Noirs

Published by DVD Beaver in April 2006. I’ve updated this to include further links for films that have subsequently become available; there are in fact quite a few of these, and, unless I’ve missed something, only one title that isn’t currently available, The Argyle Secrets. — J.R.

Most of my favorite offbeat musicals are commercially available on DVD, and I wrote about them for DVDBeaver in March. I can’t say the same about most of my favorite noirs, and I’m not sure why this is so.

MySonJohn-Jeffersonmemorial

OddManOut

pointblank-hallway

party-girl-club


It’s also important to stress that “noir” isn’t a genre; it’s a category that’s applied retroactively to films with certain traits in common — a practice started by French critics and eventually continued by us Yanks and others. (Check out James Naremore’s definitive 1998 book on the subject, More Than Night: Film Noir in its Contexts.) This makes it something more flexible than a genre, and I’ve tried to honor this factor in some of my choices.


In the following list I’ve managed to make peace with myself by appending one
SBA title (which stands for “should be available”) to each one that you can currently buy, in the same general category, with brief explanations added.Read more »

Let the Music Do the Talking [on JAZZ '34]

This defense of what I consider Robert Altman’s most neglected major work appeared in the May 8, 1998 issue of the Chicago Reader. I’ve deliberately refrained from including any stills from Kansas City — its “parent” film, which I continue to dislike. –  J.R.

Jazz ’34: Remembrances of Kansas City Swing

Rating *** A must see

Directed by Robert Altman

With Jesse Davis, David “Fathead” Newman, Ron Carter, Christian McBride, Tyrone Clark, Don Byron, Russell Malone, Mark Whitfield, Victor Lewis, Geri Allen, Cyrus Chestnut, James Carter, Craig Handy, David Murray, Joshua Redman, Curtis Fowles, Clark Gayton, Olu Dara, Nicholas Payton, James Zollar, and Kevin Mahogany.

The best Robert Altman feature in more years than I care to remember isn’t playing at a theater anywhere. A shortened version aired on PBS’s “Great Performances” series last year, but the movie only recently came to my attention when a video copy (distributed by Rhapsody Films) arrived in the mail. A fascinating adjunct to Altman’s much more ambitious and much less successful Kansas City (1996), Jazz ’34: Remembrances of Kansas City Swing is one of the best jazz films I’ve ever seen. It’s what its parent film promised but failed to deliver — all the more interesting because it’s neither a documentary nor a narrative but an eccentric hybrid.… Read more »