Daily Archives: August 30, 2019

Toddler Time (THE WHITE BALLOON)

From the Chicago Reader (March 8, 1996). — J.R.

The White Balloon

Directed by Jafar Panahi

Written by Abbas Kiarostami, Panahi, and Parviz Shahbazi

With Aida Mohammadkhani, Mohsen Kalifi, Fereshteh Sadr Orfani, Anna Bourkowska, Aliasghar Samadi, Mohammad Shahani, and Mohammad Bahktiari.

In Iran the first day of spring is New Year’s Day, the celebration of which starts at a different time of day every year, and among the objects used in the celebration is a goldfish, which symbolizes life. The plot of Jafar Panahi’s extraordinary first feature, The White Balloon (opening this week at the Music Box), involves the adventures of Razieh (Aida Mohammadkhani), a seven-year-old girl who has her heart set on buying a new goldfish for the celebration, insisting that the ones her family already has are “too skinny.”

Only 85 minutes long, the film unfolds in real time and almost exclusively in exteriors along a few blocks of Tehran the morning of the New Year. The film opens in a market, where Razieh’s mother (Fereshteh Sadr Orfani) is shopping; she collects Razieh, who’s carrying a blue balloon, and they walk home together. Nearly all of the film’s other major characters — and even a couple of minor ones — are fleetingly glimpsed during this prelude, though we don’t recognize any of them yet.… Read more »

Songs in the Key of Everyday Life [THE UMBRELLAS OF CHERBOURG]

From the Chicago Reader (May 17, 1996). — J.R.

The Umbrellas of Cherbourg

Rating **** Masterpiece

Directed and written by Jacques Demy

With Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey, and Harald Wolff.

Let’s put it this way: It’s 1957, and a 20-year-old garage mechanic in Cherbourg knocks up his girlfriend just before he leaves for two years of military service in Algeria. Guy Foucher and Geneviève Emery — the daughter of a middle-class widow who helps her mother run a chic umbrella shop — make a handsome and devoted couple, and they swear eternal love to each other before he leaves, but he writes to her only infrequently. When Geneviève finds herself pregnant, her financially strapped mother, who’s never approved of her relationship with Guy, virtually stage-manages a proposal from a visiting diamond merchant who’s already helped her out of a financial crisis. By the time Guy returns from Algeria with a pronounced limp (the reason he didn’t write), Geneviève has married the diamond merchant and moved to Paris, and the umbrella shop has closed, to be replaced by a store selling washing machines.

As luck would have it, I first saw Les parapluies de Cherbourg (1964) about two years too early — before my first trip to France.… Read more »