Daily Archives: September 7, 2019

Critical Consensus: Kent Jones and Jonathan Rosenbaum Discuss Robert Bresson and Jean-Luc Godard

Posted on Indiewire on January 6, 2012, with different illustrations. — J.R.

 

Critical Consensus: Kent Jones and Jonathan Rosenbaum Discuss Robert Bresson and Jean-Luc Godard

By Kent Jones, Eric Kohn and Jonathan Rosenbaum | Indiewire January 6, 2012 at 11:20AM

pickpocket

 bfi-Bresson

Editor’s note: Critical Consensus is a biweekly feature in which two critics from Indiewire’s Criticwire network discuss new releases with Indiewire’s chief film critic, Eric Kohn. Here, Jonathan Rosenbaum (formerly of the Chicago Reader) and Kent Jones (executive director of the World Cinema Foundation and editor-at-large at Film Comment) discuss two legendary filmmakers: Robert Bresson, the subject of a retrospective beginning at New York’s Film Forum today, and Jean-Luc Godard, whose “Film Socialisme” comes out on DVD and Blu-ray on January 10. More details on films opening this week follow after the discussion.

ERIC KOHN: There’s no easy way to have a short conversation about Robert Bresson without shortchanging a career spanning 13 films and widely considered paramount to 20th-century film history. Bresson’s Catholicism, his narrative precision, use of non-actors and painterly formalism have been analyzed many times over.

However, the Bresson retrospective that begins at Film Forum today ahead of a national tour, and includes 35mm prints of 11 films, is the first one in 14 years.Read more »

Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson’s THE PHENIX CITY STORY

From The Oxford-American, issue #42, Winter 2002. — J.R.

Karlson pushes and punches, but he’s good at it. He can dredge up emotion; he can make the battle of virtuous force against organized evil seem primordial.  He has a tawdry streak (there’s an exploitation sequence with a nude prostitute being whipped), and he’s careless (a scene involving a jewelry salesman is  a  decrepit mess), but in the onrush of the story the viewer is overwhelmed….One would be tempted to echo Thelma Ritter in All About Eve –”Everything but the bloodhounds snappin’ at her rear end” — but some  of the suffering has a basis in fact.
– Pauline Kael on  Walking Tall (1974)

1. What Qualifies as Real
As an Alabama expatriate who fled north the first chance I could get, I didn’t keep my southern accent for long; it fell away, in a matter of months, like dead skin. The fact was — and is — that Alabama accents sound stupid to Yankees; and since I was both a teenager and trying hard to become a Yankee, they eventually began to sound stupid to me. Especially during the Civil Rights Movement, already in full swing by then, having a southern accent, if you were white, made you sound like a racist to some people,  regardless of what you said or did.… Read more »