According to Google Analytics, 81.8% of the 4,052 visitors to jonathanrosenbaum.net over the past week, who paid 6,035 visits to this site, were new visitors, and only 18.2% were returning visitors. Why is this the case?I have no idea. These visitors came from 139 countries, and I’m almost equally puzzled by the fact that most of them by far (almost 40% of the total) are between 25 and 34 years old, less than half my own age, and male (about 70%)–at least among the 32% that Google Analytics apparently knows about. The relevant charts showing this information are below. [10/12/2019]
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From the Chicago Reader (June 24, 1988). — J.R.
WHO FRAMED ROGER RABBIT
Directed by Robert Zemeckis
Written by Jeffrey Price and Peter Seaman
With Bob Hoskins, Joanna Cassidy, Christopher Lloyd, Stubby Kaye, Alan Tilvern, and the voices of Charles Fleischer and Kathleen Turner.
Imagine, if you can, that the characters who appear in animated cartoons actually exist. A repressed minority and endangered species known as Toons, they live on the fringes of Hollywood in 1947 in a ghetto known as Toontown; when they aren’t working for Disney or the other cartoon studios, they take on menial positions as waitresses, bartenders, cigarette girls, bouncers, and entertainers — at a segregated club called the Ink and Paint. (Among the acts at this dive are Donald Duck and Daffy Duck, who perform a duet on two pianos, and a vocalist named Jessica, a curvy vamp who’s a human Toon, accompanied by the bebop crows from Dumbo.)
Imagine, as well, that the live-action 40s Hollywood that these Toons are working in is the world of Raymond Chandler’s Philip Marlowe, or at least that world as it was revised and “updated” by Robert Towne when he scripted Chinatown in the 70s. In the place of Chandler’s Marlowe and Towne’s Jake Gittes is Eddie Valiant (Bob Hoskins), a gumshoe whose jobs are mainly Toon-related, and whose partner and brother Teddy was killed a few years ago when an unknown Toon dropped a piano on the brothers, considerably dampening Eddie’s sense of humor and appreciation of Toons in the process.… Read more »
From the Chicago Reader (December 9, 1988). — J.R.
THE NAKED GUN: FROM THE FILES OF POLICE SQUAD!
** (Worth seeing)
Directed by David Zucker
Written by Jerry Zucker, Jim Abrahams, David Zucker, and Pat Proft.
With Leslie Nielsen, George Kennedy, Priscilla Presley, Ricardo Montalban, O.J. Simpson, and Nancy Marchand.
Unlike some of my colleagues, I find the latest comedy by David Zucker, Jim Abrahams, and Jerry Zucker (the ZAZ team) a notch below their previous Airplane! (1980) and Top Secret! (1984). This shouldn’t matter much to anyone looking for an irreverent, anything-goes farce with a fair number of laughs; The Naked Gun is certainly that, and I don’t intend for the following to scare anyone away from it. But I do want to consider what’s been happening to the ZAZ team’s distinctive brand of satire over the past eight years.
All three ZAZ movies use as their point of departure the crystallized form of some bad formula movie. The lead characters wear deadpan expressions through their cliche roles, and the laughs derive largely from non sequiturs in their dialogue and from lunatic gags that surround them as they trudge through their routine plots, impervious to the silliness.
Airplane! stuck to this pattern pretty consistently, lampooning the disaster blockbusters of the 70s like Earthquake, the Airport sequels, and The Towering Inferno.… Read more »