From the October 1, 1989 Chicago Reader. — J.R.
An aging burglar (Burt Reynolds) takes on and trains a younger partner (Casey Siemaszko) in a quirky and likable 1989 comedy directed by Bill Forsyth and scripted by John Sayles. This film lacks the ambition of Forsyth’s earlier Housekeeping, but it’s warm, engaging, and very agreeably acted (Reynolds hadn’t been this good in ages); most of the focus is on the warmth that develops between the old pro and his student in crimea little bit like the rapport between older and younger men found in some of the movies of Howard Hawksand Sayles’s refreshingly nonjudgmental script has plenty of small-scale pleasures of its own. With Sheila Kelley, Lorraine Toussaint, and Albert Salmi. (JR)
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From the Chicago Reader (January 10, 1997). — J.R.
Compiling a list of the best new (or “new”) movies that opened in Chicago in 1996, I’ve come up with 40 titles, half of which are foreign-language pictures. Many of my colleagues would regard choosing so many foreign movies as perversely esoteric, but it’s hard for me to fathom why. I willingly concede that this country has one of the strongest national cinemas in the world — probably the greatest, which is fully reflected in my including 19 American films in my list and only 5 from France; 3 from Taiwan; 2 apiece from England, Hong Kong, and Iran; and 1 each from mainland China, Denmark, Italy, Poland, Russia, Spain, and Vietnam.
Of course I haven’t seen nearly as many non-American films as American, but I’ve made a stab at seeing those that have made it to Chicago. I have long been bewildered by how the majority of my colleagues almost never mention any cinema that isn’t English-language when they draw up their end-of-the-year lists. Is American cinema really that wonderful and non-American cinema really that awful? Of course not; the reason most reviewers don’t include foreign pictures on their lists is that they don’t see them.… Read more »