From the July 1, 1993 Chicago Reader. — J.R.
More mud pies and occasional musical numbers from Mel Brooks in his parodic Blazing Saddles mode (has he any other?) — predictably slapdash but indefatigably good-natured and sometimes funny to boot. Completely disregarding the PC guidelines of left and right alike, this medieval romp features gags about Jews, blacks, gays, blind people, and the clergy, among others, but none of it seems mean spirited. Dom DeLuise does a very funny impersonation of Brando impersonating Don Corleone; with Cary Elwes, Amy Yasbeck, Isaac Hayes, Roger Rees, Tracey Ullman, and Brooks himself as a rabbi. Evan Chandler and J. David Shapiro collaborated with Brooks on the script. (JR)
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From the Chicago Reader (July 12, 2002). — J.R.
Road to Perdition
** (Worth seeing)
Directed by Sam Mendes
Written by David Self
With Tom Hanks, Paul Newman, Tyler Hoechlin, Daniel Craig, Jude Law, Stanley Tucci, Jennifer Jason Leigh, Dylan Baker, and Liam Aiken.
It’s based on a graphic novel, which automatically precludes charges of arty pretension — something we all know is found only in literary works and foreign films, not Hollywood movies and comic books. It aims to do for Irish-American crime in the midwest what the Godfather trilogy did for Italian-American crime on the east coast (it uses Rembrandt lighting and fancy period decor, and it aims to be a grand metaphor for the American experience and family ties in general). It offers an array of primed-for-Oscars performances, two of them by former Oscar winners (Tom Hanks and Paul Newman). It recounts a classic tale of revenge, a classic coming-of-age story, and a classic account of bonding between fathers and sons. It dishes up gobs of carefully choreographed, deliberately excessive violence and bloodshed, and then, in the 11th hour, repudiates both — which calls to mind a touchstone like Bonnie and Clyde, as does its populist celebration of Good Country People.… Read more »