A must-see for Dirk Bogarde fans, and highly recommended to anyone who wants to hear an intelligent actor speak at length. This two-part British TV documentary by Paul Joyce features a fascinating discussion by Bogarde about his craft, with particularly interesting bits about Visconti’s blocking of his mise en scene to music by Mahler in Death in Venice; how Fassbinder allegedly destroyed Despair in the cutting room; the controversial early handling of a gay theme in Victim; experiences with Judy Garland and Joseph Losey; the Hollywood blacklist; and work with Bertrand Tavernier on Daddy Nostalgia, Bogarde’s farewell film. This riveting interview inspires thoughts on why this country can’t produce documentaries about film that are even a fraction as good (1991). To be shown on three-quarter-inch video. (Film Center, Art Institute, Columbus Drive at Jackson, Saturday, June 13, 4:00, 443-3737)