Notes Archive
Review—Afterw—Best D—Critic—Ebrahi—Films —Godard—Into B—Keith —Many T—NASHVI—On the—PHASE —Recomm—Review—SKIPAL—TEOREM—THE HO—THE TH—Two Fi—WINTER—
- PHASE IV (1974 review)
- Philosophical Treatises of a Master Illusionist: A Conversation about Abbas Kiarostami
- Piaf & German porn
- PLACING MOVIES, Part 1: The Critical Apparatus (Introduction)
- PLACING MOVIES, Part 2: Touchstones (Introduction)
- PLACING MOVIES, Part 3: Filmmakers (Introduction)
- PLACING MOVIES, Part 4: Provocations (Introduction)
- PLACING MOVIES, Part 5: Inside and Outside the Movie Theater (Introduction)
- Play it again: Review of THE CULT FILM EXPERIENCE
- Playing Oneself
- PLAYTIME
- POETRY
- POPSY POP (THE 21 CARAT SNATCH) (1974 review)
- Portabella and Continuity
- Potamkin (in more ways than one, a preliminary report)
- Potential Perils of the Director’s Cut
- Powell & Pressburger: English To the Core
- Praxis du cinéma by Noël Burch
- Preface to the Argentinian edition of MOVIE MUTATIONS (2002)
- Preface to the Iranian Edition of ABBAS KIAROSTAMI (July 2014)
- Preface to the Korean Edition of GOODBYE CINEMA, HELLO CINEPHILIA
- Prelude — What I Did on My Summer Vacation (September 1977)
- Princess Theater, Florence, Alabama in the 1930s
- Princess Theatre, Florence, Alabama (an “early” photo and news story)
- Princess Theatre, Florence, Alabama, 1944
- Print the Legend: Media Manipulation in American Films: Try & Get Me, Ace in the Hole, Sweet Smell of Success
- Problems of Access: On the Trail of Some Festival Films and Filmmakers
- Problems of Classification: A Few Traits in Four Films by Ermanno Olmi
- Problems with Pasolini
- Program Note on OUT 1
- Program Notes for the North American Theatrical Premiere of THE TIGER OF ESCHNAPUR & THE INDIAN TOMB
- Prologue to the Spanish edition of MOVIE MUTATIONS by Pere Portabella [2010]
- Pryor Commitments [upgraded, 11/14/11]
- Pynchon on the Beach
- Questions about Film Acting: A Dialogue with James Naremore
- Questions in and about AVA
- QUO VADIS Revisited
- R.I.P. Arthur Penn 1922-2010
- R.I.P., with thanks: FILM: THE FRONT LINE 1983
- Racist Shorthand in the U.S.
- Radical Humanism and the Coexistence of Film and Poetry in THE HOUSE IS BLACK
- Rafi Pitt’s THE HUNTER
- Rainer’s Persistence of Memory
- RAISING CAIN
- Raúl Ruiz (1985 essay)
- Raúl Ruiz’s Interactive Testament: MYSTERIES OF LISBON
- Raúl Ruiz’s Interactivity: Some Reflections on His Evolution
- Raymond Durgnat
- Raymond Durgnat’s IMAGES OF THE MIND
- Raymond Durgnat’s Web Site is Growing
- Reactionary Humor and Southern Comfort (review of A CONFEDERACY OF DUNCES)
- Reading about Looking and Looking at Reading: review of CAMERA LUCIDA and IF ON A WINTER’S NIGHT A TRAVELER
- Reading: The (Remote) Glass House That Jerry Built (1988)
- REAL LIFE (1979)
- Real Sex in Movies
- Reality and History as the Apotheosis of Southern Sleaze: Phil Karlson’s THE PHENIX CITY STORY
- Reasons for Kicking and Screaming
- Recommended Listening
- Recommended Pre-Election Reading (and Brief Post-Election Lament)
- Recommended Reading & Viewing (THE STRUGGLE)
- Recommended Reading & Viewing (with qualms, 4/24/14)
- Recommended Reading and Looking: Online Books by Alfred Leslie (3 so far, more to come)
- Recommended Reading: “Everybody’s Orson Welles”
- Recommended Reading: “Long Shot” (Profile of Jia Zhangke)
- Recommended Reading: “Otto Preminger and the Surface of Cinema”