From Sight and Sound (Spring 1984) -– designed as a sort of spinoff/update of my recently published book Film: The Front Line 1983. -– J.R.
Item: In assorted outdoor locations all over the US, from a Santa Monica pier to a park in lower Manhattan’s Soho, Louis Hock has been showing a silent, triple-screen film of his own devising called Southern California. The film’s imagery is of the colorful, mythical sort that its title suggests: placid neighborhoods flanked by palms; a San Clemente flower farm; fruit and vegetables in a La Jolla supermarket; downtown Los Angeles glimpsed from the rotating Angel’s Flight Bar or from the top of the Hyatt-Regency. Southern California is actually one strip of film run consecutively through three adjacent 16mm projectors which are aimed at the same wall.
There’s a gap of 22 1/2 seconds between the time that the first and second panels in the triptych appear, and again between the reappearance of the same images on the second and third panels. Every image, consequently, appears twice in each 45-second cycle.
Rather than promote his movie in any ordinary way, Hock usually finds a public site (like the University of California’s San Diego campus, or the street level of the South Ferry terminal in New York, where Staten Island commuters pass), sets up his gear, waits until nightfall, starts to show his 70-minute film on a continuous loop and waits to see what happens.… Read more »