From the Chicago Reader (May 1, 1991). Twilight Time’s recent Blu-Ray of this film has a lot of interesting material about the changes made by Truffaut to Bernard Herrmann’s score. — J.R.
Despite the dedication of this 1967 film to Hitchcock and the use of his most distinguished collaborator, composer Bernard Herrmann, Francois Truffaut’s first Cornell Woolrich adaptation — the second was Mississippi Mermaid — is most memorable for lyrical moods and poetic flights of fancy that don’t seem especially Hitchcockian. Jeanne Moreau stalks gracefully through the film, wooing and dispatching a series of men like an avenging angel whose motivating obsession is spelled out only gradually; among her prey are Claude Rich, Jean-Claude Brialy, Michel Bouquet, Michel Lonsdale, and Charles Denner. Basically an exercice de style, and a good one at that. In French with subtitles. 107 min. (JR)